This exclusive event, set against the breathtaking backdrop of the city’s skyline, not only commemorated a decade and a half of S.Nine’s distinctive elegance but also unveiled the brand's much-anticipated 2024 Collection. Since its inception in 2009 in Hong Kong, S.Nine by Susanna Soo has embraced modern femininity, seamlessly marrying sophisticated tailoring with innovative, body-conscious, distinctly feminine silhouettes.
Thursday, 7 November 2024
Of Gown and Glory: 15 Years of S Nine by Susanna Soo
Friday, 1 November 2024
Couturier Guo Pei on Dreaming Fashion, the Evolution of the Global Fashion Narrative, and Celebrating the Beauty of Simplicity and Complexity
“Overwhelming” is the word that comes to mind at first glance of the red, alien bridal number from the Legends collection, a hedonistic chapter, and one of five, on exhibit in the cavernous halls of M+ contemporary visual arts museum. The 40 pieces on display, standing on elevated platforms, are curated designer confections from the grand portfolio of Guo Pei, each piece etching its mark in the annals of fashion history.
Guo, possibly the most famous couturier to emerge from China on the global stage, is the visionary designer renowned for her intricate craftsmanship and artistic acumen, creating otherworldly ensembles that fuse art, history, and craftsmanship in ways hitherto unimagined. She has even captured the imagination of audiences worldwide, particularly since songstress Rihanna wore her golden cape to the Met Gala in 2015.
As Guo prepares to showcase some of her most iconic works, one early morning before the crowds saunter in, we at Robb Report Hong Kong had an exclusive conversation with the couturier. Delving into her creative process, the significance of her journey, and her reflections on the evolving landscape of fashion, much was discussed.
Read the entire feature here at Robb Report Hong Kong.
Friday, 30 August 2024
Baccarat and Hong Kong Designer Steve Leung Have Teamed Up to Create an Exquisite Chandelier
The fabulous fusion of porcelain and crystals marks 260 years of Baccarat and 60 years of Sino-French diplomacy.
Multi-hyphenate Renaissance man Steve Leung needs little introduction. Be it his super yachts, vacation homes, interior designs, and collaborations, Leung’s prolific portfolio has been featured on Robb Report Hong Kong time and again. Adding one more arrow to his quiver, the famed architect and designer has just unveiled his latest design in collaboration with crystal-maker Baccarat: the Printemps Bleu Zenith Chandelier, a grand lighting fixture.
Baccarat and Leung’s Printemps Bleu—literarily “blue spring” in French—chandelier is a breathtaking and exquisite piece. Featuring crystals cut with precision and chinoiserie artwork meticulously painted on fine porcelain, it’s a nod to the heritage of both East and West. It’s a phenomenal achievement, tying in two disparate cultures united through refined craftsmanship and brave innovation. As the head of design of his eponymous label, Steve Leung Design Group (SLD), Leung is the first Chinese designer to collaborate with Baccarat. One hopes Leung’s collaboration with the famed French luxury house paves the way for more cross-cultural design endeavours, as this first iteration is a piece of art.
Read the entire feature here at Robb Report Hong Kong.
Tuesday, 18 June 2024
A Designer For All Seasons: Celebrating 20 Years of Cindy Chao the Art Jewel
A landmark year for designer Cindy Chao, 20 years just floated by like a dragonfly in flight.
We’ve long covered—and not so secretly coveted—the exquisite works of designer Cindy Chao for years now as her sculptural, nature-inspired, museum-worthy jewels have been a point of fascination and debate: Is it jewellery, or is it art?
Her jewels have appeared in the pages of Robb Report Hong Kong’s annual Best of the Best, and intermittently in various iterations of Robb Report globally since 2012, such sporadic bursts of inspired creations finding a safe haven in the Best in Jewellery pages with increasing frequency. Chao’s earrings can be seen on the lobes of Academy-Award-winning actresses, her famed brooches on the lapel of gentlemen as they hit the red carpet. Chao’s singular sensations have also appeared in capital museums, guarded in enclosed glass cases, glimmering under a spotlight. How many jewellers can state that their work is part of the permanent collections at the Victoria and Albert Museum in London, the Musée des Arts Décoratifs in Paris, and the Smithsonian in Washington, DC?
Read the entire feature here at Robb Report Hong Kong.
Wednesday, 22 May 2024
This Quirky Jewellery Collection Imagines Burgers, Spaghetti, and Cutlery Into Dazzling Accessories
An original if ever, Nadine Ghosn’s work celebrates the ordinary.
It’s a good-looking burger; the bun is perfectly round and fluffy, the phalanx of sesame seeds on top are crunchy, the lettuce looks crisp, and the slice of tomato succulent and pulpy. Delicious, and yet distinctly inedible—the bun’s made of gold, the seeds are diamonds, the tomatoes rubies, and the tsavorite lettuce should not be eaten under any circumstance.
Read the entire feature here at Robb Report Hong Kong.
Friday, 8 March 2024
Creature of Paradise: Anna Hu’s Exquisite Jewellery
Jewellery artist Anna Hu’s Parisian haute joaillerie creations float like a butterfly.
Monday, 26 February 2024
Interview with Chopard's Caroline Scheufele. On video
In the latest edition of Leaders of Luxury, I had the rare opportunity to speak with Caroline Scheufele, who needs little introduction among the glitterati. As the artistic director and co-president of Chopard, Scheufele juggles her double role with elegant ease, creating some of the most beautiful jewellery in the world and heading a global business empire with her family. During her visit to Hong Kong to unveil the newest Chopard store with some of Asia’s brightest stars, Scheufele reveals what luxury means to her, how she got the elusive Julia Roberts to star in a campaign, and which jewellery pieces she never, ever takes off.
Monday, 16 October 2023
Jeweller Cindy Chao’s Hong Kong Exhibition Is Opening to Dazzling Butterfly Effect
Opera Gallery Hong Kong has never before showcased jewels of this size, magnitude, and intricacy
For the past decade, with consistency and artistic integrity, jeweller Cindy Chao has been painstakingly recreating a delicate creature in precious stones and metal, culminating in her 10th Annual Butterfly piece: 2023 Black Label Masterpiece I Amour Butterfly Brooch.
Her brand, CINDY CHAO The Art Jewel, presents an exhibition like no other this year. “Meld in Light and Shade” at the famed Opera Gallery Hong Kong is part of a global tour that also includes a stint in Shanghai and other Asian stops. For the city, it’s the first of its kind to have a jewelled, precious butterfly exhibition done by a leading female artist—for is there any doubt this jewellery artist’s work is nothing short of wearable, sculptural art?
Read the entire feature here at Robb Report Hong Kong.
Friday, 12 June 2020
Fashionable Friday: Hong Kong's Celebrity Designer Barney Cheng
Have featured Barney Cheng Couture (Yenrabi Ltd) in several cover shoots, feature shoots and more too. Some of that here below from google search!
Indubitably, Hong Kong's most famous designer, did an anniversary special feature on him for Prestige magazine. Our longest chat and longest feature and shoot, and Celina Jade popped by for support.
Good times.









Sunday, 31 May 2020
Christian Louboutin and Sabyasachi Mukherjee in Hong Kong
Jing Zhang, former Fashion Editor of South China Morning Post, moderated the talk with two icons in the industry, 'the' Christian Louboutin and 'the', often mononymously known, "Sabya" aka designer Sabyasachi Mukherjee.
Louboutin is unquestionably one of the best interview subjects you can find, as articulate words pour out and his unflinching look at the industry and the ways of the world make for great, uncensored, non-pc copy. When his handlers leave him alone, he's great fun to chat with. At various points over the past 15 years, I've covered the man, his accessories in print - from early days of (the now defunct) Kee magazine, to Sentinel, to SCMP, Prestige and... so many others.
On a personal note, his fandom of Sridevi mirrors mine (his opinion of Aishwarya Rai however does not!). We've spoken at length about Bollywood. Good times. Still my favourite person to interview.
With Sabya, just a fan. His work is second to none in India. But so shy and he wasn't doing press during his time here in HK. Well, not with my magazine back then.




Thursday, 8 February 2018
Tuesday, 5 April 2016
From Brooke Shields to Kendall Jenner, why Calvin Klein uses celebrity models to sell clothes
Francisco Costa, creative director of the American fashion label, says Calvin Klein himself began the use of actresses to raise its profile and sales, and sees the worth of dressing ‘really smart women’.
Words: P. Ramakrishnan
Portrait: Jason Capobianco
Read the full feature here at SCMP. com
Sunday, 8 November 2015
Brief Encounters: Narcisa Pheres

Romanian-born Pheres went from trading in jewellery and art in Japan to launching an eponymous clothing brand, moving to Hong Kong and now moving into womenswear and online retailing
Sartorially savvy gentlemen everywhere know about her eponymous bespoke Italian menswear brand. Now Pheres is diversifying into womenswear, fine jewellery, online retailing and more, as she explained in a recent interview. P. Ramakrishnan writes. Portraits by Dino Busch.
"I was born in Romania into a family of mixed origins. My mother has Greek heritage and my father is Romanian - and people always find it amusing to learn that I'm from Transylvania - but I have spent more than half my life in Asia, including more than 13 years in Japan.
My formal education was in arts, literature and linguistics. And I later studied fashion design in Milan at the Instituto di Moda Burgo and fashion marketing studies at Central Saint Martins in London.
I read so much about the history of art and did lots of comparative literature studies at school, but ended up as a twenty-something trader in Tokyo, dealing with vintage jewellery, rare wines and fine art.
Travelling the world and dealing in exceptional art and jewellery pieces taught me a lot and introduced me to a special clientele. Some of the collectors were fascinated by the large, centre stones in the vintage jewellery pieces I was buying for them and asked me to redesign them and make them more modern or give them a personal touch. I became passionate about it and studied to become a certified jewellery designer.
The inevitable next step seemed to be fashion - so I returned to Europe [Milan and London] to attain the proper technical skills [fashion design, fashion marketing, branding and communications]. Already with a design background from the jewellery side, I knew exactly what I wanted to do.
Around 2006, I launched my first collections. I did a few evening gowns and menswear. With my experience in Milan, London and Tokyo, it made sense to do men's fashion - even though I studied mostly womenswear design. I found it fascinating to see men's fashion from a woman's point of view and pretty much this became a very strong value for the brand. I was personal designer and stylist for a lot of celebrities, and all those men would trust my sensibility and instinct and they let me design and make personal collections for them for each season.
With my experience in Milan, London and Tokyo, it made sense to do men's fashion - even though I studied mostly womenswear design. I found it fascinating to see men's fashion from a woman's point of view
Narcisa Pheres
I launched the brand in Japan - not only because Tokyo has been my home for so many years but it was the most sophisticated market at that time where consumers were aware of brand propositions and values. Five years ago, I moved to Hong Kong with my husband and our children. Asia has always been my base. I love living in Hong Kong, which I think is the centre of Asia. It took me a bit longer to establish the brand in Hong Kong. I wasn't really concentrating on the market here, but instead I was doing exhibitions and trunk shows during fashion weeks in Europe and Japan.
Most of the past five years, I've been busy travelling around the world doing Pheres trunk shows in London, Milan, Florence, Venice. I didn't concentrate on retailing or developing business locally, as my scope was to get the brand recognised globally and reach a wider audience. That's also the reason why we have launched our ready-to-wear line and the new Pheressentials online store.
I am the creative head and chief executive of Pheres and have a team of designers based all over the world. Without my tailors and team in Italy, we would be nothing. But as any designer will tell you, it's all about teamwork.
We recently launched our first womenswear capsule collection. We had been creating couture gowns over the years - for celebrities and VIPs - but this is the first time we've had a ready-to-wear line for women. Being one of the few women who design mainly men's fashion and with my background in jewellery design, I love playing with fabrics and textile designs, so the most fun I have is when deciding prints and colours for each silk collection.
I remember my biggest investment when I was studying design in Milan was two antique books with swatches and silk prints from the late 1800s until the 1950s. Every now and then, together with our silk manufacturers in Como, I restyle one of those designs and put it in the collection.
And one of our new offerings is a bespoke service for silk accessories where clients can make their own design."
More at SCMP.com
PUBLISHED : Thursday, 15 October, 2015, 6:17am
UPDATED : Thursday, 15 October, 2015, 6:17am
Monday, 15 June 2015
Decorator to the stars Martyn Lawrence Bullard on making small look big
Martyn Lawrence Bullard's 250-page glossy interior design tome, Live, Love and Decorate, with a foreword by singer Elton John, provides a peek into the domestic lifestyle of the rich and famous.
It features the glitzy homes of celebrities such as singer Cher and former Jimmy Choo chief executive Tamara Mellon, as well as the tastefully appointed homes of Hollywood stars Edward Norton and William H. Macy. Bullard has also created earthy and stylish mansions for singer Kid Rock, actress Pamela Anderson and Ozzy Osbourne.
"Most of my clients end up becoming friends - it's about having a connection. You have to have a connection with your client from the start, to get a good result," says Bullard, who was in Hong Kong recently.
"If the feeling isn't there, I don't think you can understand each other and create a beautiful space. I don't have a signature in my design style. I want my design style to be your design style. I want it to be what you love because I'm decorating for you. So it's really about understanding your clients, you have to get into their heads, work out their design dreams and become the implementer; make it happen."
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Cher's Indian-inspired bathroom. Photo: Martyn Lawrence Bullard |
The debonair British-born designer, with his signature tucked scarves, manicured salt-and-pepper stubble and designer jackets, is a celebrity in his own right (Bullard is part of the cast of US reality TV shows Million Dollar Decorators and Hollywood Me) catering to wealthy clients with velvet-gloved ease and brass-knuckled get-the-job-done spirit.
The decorator to the stars didn't aspire to or study for the role he now performs. He went to Hollywood 23 years ago for the same reason millions of others do - in the hope of becoming a star. "I was going to follow my father's footsteps - he had been an actor and an opera singer - so I put myself through drama school, buying and selling antiques and objects on the side, for theatre stage sets. Then I thought, right, I'm going to go to Hollywood and become a movie star. So I moved to Hollywood … I didn't become a superstar. I sort of flailed around, trying to get bit parts here and there, and eventually I got cast in a movie - a very small part, but it was ever so meaningful at the time."
It's a blend of cultures that makes any space - a room, a house, a city, a country - interesting
Martyn Lawrence Bullard
I proffer the old adage that there are no small parts, just small actors. "Well, I was a very small actor then, my dear," he says with a notable English accent he's not shaken off despite living in LA for more than two decades.
"I became friends with the producer and his girlfriend (I think she was, at the time) and they ended up coming to my little flat one night. They loved what I had done. I didn't have any money then, so when they asked me to do their house - of course, I said yes. It was kind of a Casablanca, Moroccan vibe."
It's a vibe that he continues to spread with his homes dotted with 18th century Tibetan monk sculptures, antique French apothecary jars, mother-of-pearl inlaid trays, garden sofas upholstered in Zanzibar from his fabric collection, glass lanterns from the Grand Bazaar of Istanbul and Tibetan tapestries woven in pure gold thread.
Singer Kid Rock’s Malibu home featurs a lot of Indonesian-style woodwork. Photo: Martyn Lawrence Bullard
But can most residents in Hong Kong, with flats the size of Eva Mendes' closet, relate to this?
"I love small spaces - there's something cosy and wonderful about them. One should never be restricted by space; it's all about dreaming big. Just because you have a small apartment doesn't mean you have to live in a white box with a couple of chairs. It's about being inventive."
And invention means bringing elements of the outside inside. "Colour is a really important tool and can turn a small space from a white box into an amazing jewel. I always tell people to experiment. It changes a space. A great trick with a small space is rather than just painting the walls, paint the whole thing. If you put [the same] colour on the ceiling and the walls, you create this extraordinary cocoon effect. It makes everything feel bigger."
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"I've kind of got out of the tourist traps and discovered amazing new worlds. Little villages in Jaipur, off-the-beaten paths in Istanbul, deep in the arteries of Europe and Asia you find these little gems."
In Hong Kong, he found similar treasures in Hollywood Road.
"The antiques stores, those little streets with a fish market and then there was a trendy pop-up store, and then there was a deserted former restaurant I think where people were getting tattoos. It was mad but amazing. I mean, what a fabulous feel of life."
The Los Angeles home of Martyn Lawrence Bullard (above and below) has a well-travelled vibe: Indian lanterns, 19th-century Turkish tables, Peruvian mirrors, and vintage Indian textiles, all spun with a 1920s-style glamour. Photos: Martyn Lawrence Bullard
He was also struck by the city's mixture of very modern and ancient.
"Being in Hong Kong, I've seen everybody wants everything to be very new. There's no room for vintage here, it's all about brand new and sparkling. But the reality is a really good interior, or really good space, is something that's curated and makes a cultured blend of things. And I think more so than ever it's a blend of cultures that makes any space - a room, a house, a city, a country - interesting."
PUBLISHED : Thursday, 04 June, 2015, 1:56pm
P. Ramakrishnan
Monday, 12 January 2015
Celebrity Style: Interview with Hong Kong's Designer to the Stars Barney Cheng
Friday, 24 October 2014
Saturday, 12 July 2014
Estée Lauder's granddaughter Aerin designs opulent homes and interiors
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Aerin Lauder |
(ramakrishnanp at hotmail dot com!)
Aerin Lauder's interior design book Beauty at Home by Aerin Lauder peeks out from the corner of her hotel suite. With pages depicting chic living spaces, the patina of grandeur and old money is displayed in shades of blue and white in a book filled with grand interiors.
For those in Hong Kong living in small apartments, the book is like a staycation for the senses, a journey into large rooms swathed in Montrose linen, where gold-dipped seashells decorate tabletops with an elegance normally found in biopics about Jackie O.
"I haven't been to anyone's private residence yet. But I'd love to sneak a peek at homes here. I like what I've seen of Hong Kong and China, and I've been here several times," says Lauder, 43.
"I'm interested in the sense of tradition and family values, the adherence to heritage, which is a counterpoint to the city that's constantly growing.
"That sense of tradition meshes beautifully with the refined modernity found here. My design philosophy is 'heritage with a twist' and I can see permutations of that all around Hong Kong.
"From a design perspective, I love certain shades of jade and gold. There's an other-worldly elegance to them that fascinates me. The porcelain white with exquisite ink-blue artwork in fine china is a motif that crops up in my homes," she says.
Homes. Plural. The meticulously appointed residences in Manhattan, the Hamptons and Aspen are peppered with exquisite artefacts and all the accoutrements that define good taste.
Large, well-appointed living spaces face on to verdant pastures, with airy halls dotted with mahogany furniture designed by Karl Springer, sideboards by André Arbus with finishing in gold leaf, paintings by Helen Frankenthaler bought from Art Basel in Miami, in addition to chairs handed down from her famed grandmother.
Billionaire Lauder's own brand, which channels this world of erudite sophistication and is available at Lane Crawford, offers attainable luxury. Lauder's curated collection of beauty, fashion accessories and home decor was unveiled among Hong Kong's high society, who came en masse to meet her. The grand dame of beauty, Estée Lauder opened an office in Hong Kong in the 1960s, because she was fascinated with the East. She was also intent on expanding her brand.
It's no surprise that her granddaughter is following in her footsteps.
"Well, beauty is my heritage," she says. "And we have a family style; the importance of family. My home is my passion. I'm always happy to go straight home after work, so comfort and aesthetics are key at home and in the office for me. Wherever you spend most of your time should be your sanctuary."
Grand visuals are the order of the day in the catalogue and her book; rooms where gold-painted Edgewood console tables are flanked with Ming vases, Chatham coffee tables are lacquered to perfection, trimmed in gold and decked with vintage portraits.
"A quick way to transform a cold and clinical room is to add warm lighting," she says. Edgemere and Bedford floor lamps, and Hampton wall lights that vary from minimalist chic to opulent gold, crop up throughout the catalogue.
Then there's the fragrance line, five of them which range from the heady Ikat Jasmine to the genteel Evening Rose.
"The olfactory sense can trigger so many memories. When I walk into my home, it isn't just the visual stimuli that affect me. I'm embraced by the warm aromas of a lived-in residence, of family, food and flowers. An aroma is so important," she says.
Family is a theme that she often returns to. "My father [Ronald Lauder] was once a diplomat, so when we were young, we saw the world, and that has informed my sense of aesthetics."
With sojourns in Europe and vacations around the globe, Lauder picked up knick-knacks and ideas that coloured her global view, bringing the world at large into her own private abode.
"Travel is a huge part of my life, and that of the modern, working woman. We travel to Europe often, especially Belgium and France. I pick up ideas from Palm Beach or the Hamptons as much as I would in Morocco or Japan."
Though it has been a globe-trotting life, the aesthetic is somehow all-American; it's very feminine and it has an effortless ease and elegance that has found fans around the globe. We volley back and forth regarding the good ("plush pillows can instantly warm a room"), the bad ("when I see a short curtain, I literally have to stop myself from going down on my knees to hem it and make it longer with some trim"), and the ugly side of furnishings.
"Well, I don't know about ugly," she says. "One woman's trash might be another's treasure, so I look at things differently. Things aren't wonderful or horrendous, they're just different. I'd hate to see every single home look like every other. Your personal artefacts should dot your home. I've framed the paintings my sons did when they were very young, and I'd value them as much as someone else might a Matisse."
Are the children banned from jumping on expensive objects like the Thompson chaise? "Absolutely not," she says. "Rooms should be livable. Every space in a home should be used. There is no area in the house that is cordoned off from my sons. A truly elegant home is supposed to be lived in, not just looked at in a magazine."
This article appeared in the South China Morning Post print edition as A wealth of Detail
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Wednesday, 7 May 2014
Pieces of Mind
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Wendy Yue |
There is an understated elegance to fine jewellery designer Wendy Yue, and yet her phantasmagoric collections are certainly not for wallflowers. Hers are ornate pieces with resplendent stones, inspired by flora and fauna, animal shapes and legends. It is the vast ocean of her imagination that makes her exquisite, multicoloured collection something to behold.
"I don't sleep much and I'm often most inspired when I have difficulty sleeping," she says while in transit in Taipei, on her way to Hong Kong for a reception at her stockist Plukka's pop-up store in the Landmark. A restless night where she had garish visions of snakes invading her floor led to a serpentine collection a few years ago.
"A lot of times I am on the road, whether driving to work, home, dinner, or running errands, my mind is often in its most stimulated state and all kinds of ideas are generated," Yue says. "I am a multitasker in that sense, I can never be doing one thing at a time."
And yet, among her travels, all roads led to the field of design. Yue, a Hong Kong native, spent her early days studying language and culture in Europe.
"I love Europe. Vienna was a stepping stone into the European culture. It's filled with ancient history and architecture and I find it very calm and soothing whenever I'm there," she says.
She documented her travels with her coloured pencils, sketching everywhere she went. Patterns and shapes formed the basis of future jewellery designs.
"The idea of creating jewellery to be worn daily reminds me of my travels," Yue says. "They are an enduring monument in remembrance of the bits and pieces of my expeditions."
Yue established her atelier, Diamond Tree, in 1998, and for years she worked with haute joaillerie, supporting famous luxury brands as the woman behind the scenes. It wasn't until 2008 that her eponymous brand, in collaboration with Annoushka Ducas (founder of Links of London), came about.
Whether from Neiman Marcus and Bergdorf Goodman, or select boutiques across Europe, the US and Asia, there are many femmes fetale studded with Yue's whimsical creations.
If there's a trend away from simple rings and subtle earrings studded with a single stone, Yue might be the harbinger, springing away from the delicate and the darling to "statement pieces" of bold design and chunkier stones.
"I don't think statement pieces are necessarily a fashion trend; instead, they [reflect] the changing taste of Asian women in general. They have definitely opened up to a wider range of styles, without compromising either end of the spectrum. I think the Asian woman has always been confident."
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Rapacious Rose necklace |
"The narrative, of course, is inspired by nature, but I have also turned my focus towards more classic shapes, especially with earrings and necklaces," she says. "In the past I may have been known for my statement cocktail rings, but this year I chose to focus more on earrings and chokers, incorporating nature in a figurative but more classic way."
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Egyptian Scarab ring-cuff set |
"For the most part, it all begins with the stones," Yue says. "I have a passion for stones and I have a huge safe filled with beautifully odd and unique gemstones. Many times it's an interwoven process: I have an idea and concept in mind, then I draw from memory my database of gemstones and know exactly which centre stone would match my design concept. It can be the stone that comes first, if I have the inspiration, but it is almost something that is in sync.
"Most of the pieces with carved centre stones or large centre gemstones are one of a kind. It is not in my interest to mass-produce my designs."
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Dragonfly dip earrings |
But is there an Asian element to the collection?
"Certainly," she says. "I do have Buddha and oriental elements. I once had a coral cuff named 'The Lucky Seven' that came from a traditional Chinese story of seven children for good luck. I come from a traditional Chinese family so I do have inspiration from my background."
While Yue has her own "by appointment" gallery/show space in Sheung Wan, the designer's work has already spread worldwide. Her pieces have caught the eye of pop princesses such as Katy Perry and Rihanna and Hollywood actresses Glenn Close and Frieda Pinto.
"I feel honoured and humble seeing my jewellery worn by anybody who appreciates my pieces. Sometimes you can see the sparkle from their eyes when they look at a piece; it's truly an unforgettable feeling," Yue says. "But, of course, it's reassuring to some [customers] that top style icons such as Katy Perry and Rihanna have worn my pieces."
She says if there is one type of woman she designs for, it's "a woman who isn't afraid to show character".
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Swan Fantasie cuff |
E-mail: ramakrishnanp at hotmail dot com
Friday, 23 August 2013
Uncommon threads: Interview with Indian designer Tarun Tahiliani







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The hyperbolic tag of India's "king of couture" precedes anything that designer Tarun Tahiliani does - and with good reason. As the first Mumbai-born designer to showcase in Milan, Paris and Cannes, his name is on the lips of fashionistas in New York as well as in New Delhi, his home.
"Fashion is all about attitude," says Tahiliani. "You see a reflection of society in how people dress. If the economy's doing well, they dress well. If people are looking drab, then I'd worry."
The designer's shimmering ensembles are worn by the rich and famous in India, but they are rarely seen in Bollywood films. He doesn't care.
"That has never been my scene," Tahiliani says from his Delhi studio a few days before a flight to Hong Kong. "There's a distinction between a costume designer and a fashion designer. The costume designer sources clothes to suit the look of a particular film. But that's not what I do. I design. If I had to sit around catering to the whims of a Bollywood starlet on the set of a film, I'd shoot myself," he says with a chuckle.
....More at scmp.com
NOTES:
So great to finally meet and chat with Tarun - his work is exquisite. We had an amazing chat, and we spoke about my other fav topic in the world (first being Sri!); Aishwarya Rai! Rama