Giorgio Armani to develop a third property in the Middle East.
Saturday, 4 May 2024
Armani to build a hotel in Diriyah, Saudi Arabia
Wednesday, 29 September 2021
Pop Bytes: Armani in 2021 is as gorgeous as ever: 40 years of Giorgio Armani
Lifting the veil of doom and gloom that has altered the way Giorgio Armani has presented his collection since 1981, the 40th anniversary of Emporio Armani wasn’t filled with movie stars (usually a staple on the front row of his shows), political heavyweights, jet setting socialites and supermodels but a socially distant affair with a level of studied, honed perfection that only he can provide.
Locked down at his palatial home on Via Borgonuovo in Milan, Armani digitally presented the Emporio Armani collection to a global audience – streaming it online for audiences in New Delhi to New York, Tokyo to Paris. The entire world of fashion purveyors watched simultaneously the mix of the 1980s disco era and the modern that strutted down the catwalk. A patina of technicolour dreams, as well as his signature navy and all-black ensembles. Flashes and pops of colour with contemporary cuts, exquisite silhouettes, patterns and monochrome.
Filmed against a backdrop of the brand’s name writ in neon, the collection had all the signature pieces one expects from the legend; luxurious fabrications, glitter, leather, whimsical cuts and classic silhouettes, the pride, the peplum, the pinstripe, he showed it all. Models wearing knits with sequin borders, jacquard, suitings for women and loungewear tailoring for men.
For long loving, enduring fans of the brand, there were new graphic shapes, amplified colours, as well as reassuring crystals and glittering gowns – those most often seen on the red carpet of every award show. Pieces you’ll see again on Armani’s muses like Cate Blanchette, Julia Roberts and that A-list ilk; there’s a reason why he’s held the crown of “the king of the Hollywood red carpet” (Vanity Fair) since 1978, when he first dressed Diane Keaton. Movie stars and Armani go hand in velvet-gloved hand so when you see a black and white gown with glittering embellishments, you know Kidman will swan down the stage like he made it just for her.
No other designer of his vintage – Giorgio Armani turned 87 this past July – stands this tall, relevant and a force to be reckoned with. Trends come and go, tides rise and fall. Style is eternal and Armani is forever.
P.Ramakrishnan
More at PrestigeOnline.com
Tuesday, 12 May 2020
Tuesday, 26 March 2019
Eternal Elegance: Giorgio Armani Retrospective
With subtle fabrics and understated colours, Giorgio Armani’s fashion creations are a testament to enduring design
Take any chapter in the rich history of Giorgio Armani and behold the timeless, seemingly effortless elegance that transcends the epoch his outfits were born into. In the ’70s he brought power dressing to leading ladies on screen (reflect on how he dressed Diane Keaton); in the ’80s he relaxed that silhouette with softer fabrics (sure, he worked the shoulder pads, but he made the jackets in velvet for Jodie Foster); in the ’90s, he singlehandedly transformed Oscar red-carpet dressing by eschewing Vegas-style-sequins, feathers and costume jewellery for aesthetically impeccable ensembles and diamonds. As he famously said of dressing leading ladies for the red carpet, “She will not regret what she is wearing when she looks at pictures of herself in the press the next day. Or even next year.”Or even next decade, as hindsight now reveals. Armani refrained from being trendy, opting for classic. Fads meant nothing to him as he focused on the eternal, putting the pow into power dressing with his signature style. This season however, he’s gone for a gentler, ethereal silhouette.
Enhanced by the use of “liquid” fabrics and aquatic colours, the latest collection is based on an abstract inspiration: a game of refractions created by a ray of light on a body of water. To that end, Armani uses fine lines and materials for clothing that envelops the body and flows with the silhouette, resulting in an impression of soft and gentle elegance.
The liquid effect is reproduced in organza and translucent materials, blended together and overlapping, with ruffles and layers in subtle, delicate hues: metallic greys, silky pastels, pale blues, with touches of pinks and bright greens. The overall effect is one of iridescent and poetic elegance: fragility full of strength.
“Collection after collection, I hone the idea of soft elegance,” Armani says from his studio. “This season the challenge has been to transpose the mutability of the shape and colour of water into garments and accessories. I achieved this effect with subtle but firm fabrics, using linear constructions and a masterly play on lightweight overlays and glossy embroidery.”
On this journey, the Giorgio Armani woman finds strength in gossamer grace and apparent fragility. Armani was about power dressing. Now, he dresses the empowered.
armani.com
P.Ramakrishnan
Saturday, 28 July 2012
Galaxy cover: Summer 2012: Kimberly Verge stuns in Armani on the cover of the magazine
Thursday, 21 May 2009
Credit Control

Hong Kong's fashion fetish is obvious; we're definitely a designer-dud-dreaming, couture-clad mad generation (or wish to be). The laws imposed by the government should be damned, people will stand in over-crowded trains, and shove and jostle across a ridiculously packed border crossing to Shenzhen to get their hands on something that looks like it has been plucked straight off the pages of a magazine.
But there is a better way to satisfy the designer craving.
With Christmas soon upon us, there are some of the most coveted labels in town and there are things out there that are very affordable.
For the budget - and brand-conscious - shopper, there is a cornucopia of a recognisable knick-knacks to impress fussy loved ones.
Loco for Coco
Mabel Yeung, from Chanel, assures label-cravers there are trinkets in their five Hong Kong outlets that need not stretch one's credit card to snapping point. Accessories such as braclets, lockets, wrist and/or headbands or a toweling sports kit (all with the emblematic interlocking Cs) fall under $1,000.
For those who can stretch to a bit more, the square, ode-to-70s shades ($1,500) or the Coco-cool leather belt ($1,600) could put that extra twinkle in someone's eye this festive season.

Blanc & write
Inspired by the glow of animal eyes, Montblanc's jewelled pen - set in platinum, white gold and silver - gives the writing hand a look worthy of a Pulitzer, even if the written words fall short.
Here is an instrument that wants you to divorce the keyboard and find a thick sheet of creamy paper, immediately. True, it is a bit heavy on the wrist and on the wallet, but the gem of a pen is yours for $8,500 (the smaller version with gold Palmeira Citrine draws a fine line at $6,800). But rest assured that it is a gift that can last a lifetime, not just the current season.
For artists and architects, Montblanc's stocky Leonardo sketch pen ($1,500) will be handy tool. With a soft, 5.5mm thick lead that comes with a sharpened integrated head (there by keeping the tip perennially sharp), it carries the white star and gold-ringed signature look, and comes in an elegant leather pouch.
Be wise and organise
Running late yet again? Missed the flight? The deadline? The date? Do yourself or a friend a favour and get an organiser. If a digital, battery-operated gadget simply does not do it for you, perhaps you should check out Cartier's organiser collection.
These soft leather books are clad with precious metals, and there are over dozen styles available. The gilt-edged small pocket organiser ($1,250) of burgundy calfskin could easily substitute for a wallet - there is enough room for paperwork and pouches for credit-cards. The larger Pasha line ($1,250), black leather with a logo in 18-caret white gold, are for busier bees.
Black, white and red all over
Even if Madonna swears by rhinestone-studded belts with the large bull-and-horn centre clasps that are every bit as subtle as she is, rest assured it is just an evanescent trend being belted out by the effervescent diva. Nothing beats the old black classic, especially when it is by Armani. The slick strips of premium leather, with silver clasps, range from $890-$1,490.

Emporio Armani's Fall/Winter collection is a return to simple sophistication without a sparkle or vulgar colour in sight. For the ladies, a range of efficient, unassuming black purses is up for grabs at any of the four outlets in Hong Kong. Prices begin at $2,500 and end in five figure numerals. Thin is in (was it ever out?) when it comes to straps on sandals, bags or even watches. The winter look is all black and white--with flashes of red in belts, shoes (including men's) and purses. Even the jewellery collection is predominantly black. Earrings, simple string necklaces and other accessories range from $690-$1,400. Soft leather or suede gloves come in neoclassic shades of brown, black or white at $800-$900.

Cuddling up to the leather boys
The unmistakable look of Salvatore Ferragamo in shoes, bags, wallets and belts, made of premium leather, has stood the test of time and trend. However, for the impending season, new arrivals in their shops have a softer, cuter and cuddlier look. What can you get for the young or young-at-heart designer slave? The Ferragamo teddy bear, of course. Made of genuine silk, (in fact, they are made from signature scarves from this Florentine fashion house) teddy bears of both sexes (the gentleman bears sport bow-ties, while the lady bears wear bonnets) are already on display in Times Square, and soon every Ferragamo outlet will carry these distinctive designer bears.
They are not fuzzy and cartoonish creatures but brightly coloured, soft-touch accessories more suitable for decoration than being chewed and dribbled on by infants. While the multi-coloured scarves are perennially available (around $1,500 each) the bears are a seasonal specialty ($2,000). Accessories such as silver scarf rings ($700) and colour coordinated hair bands ($400) are also in the offing.
An oval idea
Legend has it that King Edward VII provided the phrase that helped launch an advertising campaign that money cannot buy: "Cartier, jeweller of Kings and King of jewellers." Stamped with their definite look, the company has maintained an unblemished standard since the mid-19th century. One of their most recognisable products in their signature lighter collection (originally introduced in 1968) and just in time for Christmas, a sparkling new selection has been released to style-seekers.

The oval shaped, invisibly-hinged lighters come in black with gold or platinum finish, as well as the standard monochromatic gold or platinum. Prices range from $1,950 to $2,400. They can be engraved upon request.
A crystal ball
As you watch Satine, the "Sparkling Diamond" in Moulin Rouge, trapeze down to the stage crooning "Diamonds Are A Girl's Best Friend" in one of cinema's glitziest entries, take note that she was in fact glittering in Swarovski crystals. Ditto Marilyn Monroe in Gentlemen Prefer Blondes, Audrey Hepburn in Sabrina Fair and Grace Kelly in High Society.
With outlets scattered around town, Swarovski has already placed their Christmas collection on sale. The winter specials, such as the crystal Christmas tree, capped with a gold-plated star ($850), the reindeer ($1,275), angel ($1,460) or the little Santa ($1,960) are decorative pieces for the collectors. Their faux-diamond jewellery collection ranges from $450-$1,500. An earring and pendant set can easily fallunder $1,000, and the snowflake brooch, this season's main attractionss, is just $700.