Showing posts with label Cover Story. Show all posts
Showing posts with label Cover Story. Show all posts

Thursday, 10 March 2022

TBT: Lifestyle: Couple on a Mission: Tenniel Chu and Carmen Chu

TBT: This cover story and feature for Prestige's annual Lifestyle.

The good people at Brooks Brothers came through for the cover shoot. 

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In 1994, when David “Mr Golf” Chu turned a patch of industrial wasteland in Shenzhen into the world’s largest golf course, it was seen as complete madness by many, including the provincial mayor. Golf was a nonentity in the country, frowned upon by the Communist Party ever since Mao Zedong declared the sport “too bourgeois”.


But David Chu’s vision paid off. Today, the Mission Hills Group dominates the golf industry in China, with huge multi-course resorts in Shenzhen, Dongguan and Hainan as well as hotels, leisure resorts, sports academies, schools, artist villages, malls and even a movie-themed theme park in Haikou called Movie Town.



But much of that expansion has been overseen by David’s son Tenniel, who works as vice chairman of the group alongside his brother Ken, the group’s chairman. Pioneering a so-called “golf and more” concept has broadened the popularity of the sport, helping to dust off the elite image it once held. Non-traditionalists might tut at the group’s more eccentric ideas – the upcoming Fantasy Course in Hainan features an island green with an 80-metre-wide bowl of noodles and 75-metre-long chopsticks serving as the lake – but the numbers don’t lie. Last year Mission Hills invested a total of 40 billion yuan in mainland China and the company is going from strength to strength.


Carmen Chu, Tenniel’s glamorous wife, is an arts enthusiast who balances being the mother of two children with her ongoing art history studies at the University of Hong Kong. She admits candidly that she decided to go back to university in order to understand more about the art world and also as a way of grounding herself against the seemingly endless series of parties and galas that come as a consequence of her husband’s jet-setting job.


We sat down with the dynamic couple in their well-appointed home to find out more. Read the full feature here at PrestigeOnline.


Photography / Olivier Yoan  

Styling / Florent ThiĆ©baut 

Styling assistant / Marco Chan  

hair & Make-up / Reve Ryu    

Outfits / Brooks Brothers


This was the Lifestyle 2017 cover story. 


Saturday, 9 October 2021

Prestige magazine's latest cover feature: October 2021




 

Shot on Sept 1, out by October, Kevin Poon graces the cover of the latest Prestige magazine. Was good fun to chat with the star of the cover and after its initial release, we somehow seemed to have ruffled a few feathers. Hmm. Good. 

Big shout out to Hong Kong photographer Ricky Lo for yet another stunning cover. 

And the good people at Louis Vuitton in Hong Kong for the wardrobe and accessories. 

Thursday, 9 April 2020

TBT: Cover story with 'the' Megan Fox



So apart from being ridiculously beautiful, actress Megan Fox was a great interview. Colour me surprised! If you've ever seen Megan Fox on chat shows, she's got great banter - a skill set I greatly appreciate esp when tight on deadline and have an intimidating page count to work with. We spoke for hours and she was endlessly entertaining and fun. And yeah, she looks like every pin-up dream at the same time.

The cover story was great fun - she was great fun. Fanx.

Read the full feature at Prestige online.




Sunday, 2 June 2019

Prestige, June 2019


My cover feature with Richard Ekkebus - out now. June 2019.

Pls read the entire feature which is now online here at Prestige's official site.

For Online exclusive, this Q&A is up too: 12 Questions with Chef Richard Ekkebus of Amber

Shot by Nic and Bex Gaunt for the first time for Burda. They were soooo much fun to work with.

The chat was great too - chefs with a sense of humour I can totally dig. Especially when the chef is exceptional like Ekkebus.

More in print - and at PrestigeOnline.com - so do check it out.


Friday, 31 May 2019

Thursday, 21 February 2019

Lifestyle 2019 by Prestige Hong Kong


It's here! On sale in newsstands for the rest of the year, the annual tome published by Prestige Hong Kong. 

Worked with Dino Busch for the cover shoot (three years in a row with Olivier before) as Dino - Jess - and I all started working together x years ago and we are a trio that cannot be broken! lol. Have to say its one of my fav Lifestyle covers... EVER. Apart from looking great on newsstands everywhere (for the whole year! woot woot!), the entire team involved was so great that pulled it all together. 

 

My Editor's page - which people generally skip over - below! 

Glad Tidings


The volume you’re holding is an annual accompaniment to Prestige magazine, a new-year tome that is now a decade old. By the time we collate these pages it seems more than apposite for our editors to reflect on the year gone by, and as such we review here for you the best society events of 2018 (page 20) featuring the year’s most fabulous parties, and we present the finest hotels, bars, restaurants and spas sampled by our roster of wordsmiths (“The A List”, page 92). Our penultimate page is a tongue-in-chic recap of the year’s pop culture and celebrity antics (“That Was 2018…”, page 104), putting a humorous cap on the Year of the Dog as we step into the auspicious Year of the Pig. 

According to my feng shui mistress Thierry Chow (what, you don’t have one?) it’s a year of good fortune and luck as the Pig occupies the last (12th) position in the Chinese zodiac. And good fortune and luck is just what we wish our young and gorgeous cover stars, actress Jessica Jann and entrepreneur Kenneth King, as they embark on a lifelong journey together as a newly married couple. The day this magazine comes hurtling out of our printer’s vans and on to newsstands, the duo will be walking down the aisle – and we couldn’t be happier for them. Months ago, as they recounted their romantic journey, smiling and gazing into each other’s eyes – even when our photographer didn’t instruct them to – we got a little misty for young love and new beginnings. Our jaded, crusty and calcified heart skipped a beat – and I’m sure yours will too.

Have a prosperous and productive new year – according to the stars aligned, it’s a great one for making and investing money. We wish thee glad tidings dear reader, glad tidings indeed.   

P. Ramakrishnan
Editor




The entire cover story and shoot is up at PrestigeOnline.com







Tuesday, 4 September 2018

Prestige Hong Kong: The September Issue with Jon Kortajarena


Prestige Hong Kong: The September Issue with Jon Kortajarena.

Photography Oliver Yoan
Production Alex Aalto
Styling Hannah Beck
Hair and Make-up Oscar Alexander
Prop Styling Karina Valentim
Styling Assistant Hannah Shams
Lighting Dragos Czinjepolschi, Anne Marie Serian and Kes Kestutis Zilionis


Check out my chat with Jon K at  PrestigeOnline.com 

Meanwhile, Behind the scenes:

Click to enlarge!



Friday, 22 June 2018

Lifestyle: Couple on a Mission: Cover shoot and Cover story: 2017



Tenniel Chu


Tenniel and Carmen Chu

Carmen Chu


Tenniel and Carmen Chu tell Lifestyle and Prestige how the Mission Hills golfing dynasty is bringing the game to a whole new audience in China. Cover story is up at PrestigeOnline here. 

Photography / Olivier Yoan  
Styling / Florent ThiĆ©baut 
Styling assistant / Marco Chan  
Hair & Make-up / Reve Ryu    
Outfits / Brooks Brothers

This was the Lifestyle 2017 cover story. #ThrowbackThursday

Behind the scenes; the two were the most hospitable gorgeous couple to work with. Was a dreamy cover shoot day where for once, everything went as planned! Awesome team behind the scenes, and in front of the camera. 

Monday, 13 November 2017

Cover Story: Megan Fox: Hollywood calling


So I had a long, long chat with... 'the' Megan Fox. Check out my cover story with Prestige Hong Kong at PrestigeOnline.


Monday, 6 March 2017

KAREN & ME & A DOG NAMED DEE


The Prestige fashion squad arrived for our cover shoot with Karen Mok prepped with so many voluminous designer-label-embossed garment bags it would make a sartorial savant squeal. Our dashing photographer Paul Tsang (to Mok’s right) and his crew were on set prior to that, as lighting tests and background colours were being honed to perfection. Then the men in black, armed bodyguards carrying boxes of jewels, arrived in uniform. And yes, we were told they could outrun us no matter how potentially malfeasant our intentions may be, as trays of treasures emerged from puzzling locked-and-stocked containers. Finally, the star herself (and her entourage!) as she dashed straight into hair and make-up. Between shots, we were all mesmerised by the fast changes, the myriad moods and the on-camera ease Karen Mok displayed. It could have been a stressful shoot – timelines and deadlines – but Dee Dee was our blissfully ignorant, bright eyed and bushy tailed mascot, who elevated the mood at every turn. Puppies make everything better. Including this behind-the-scenes shot.


Read the full cover story and see the gallery of pictures here!


Tuesday, 5 February 2013

Galaxy 2012

The four amazing ladies and photographers who made incredible covers for Galaxy magazine the past year. Enjoyed working with every single one of them.

This week, we are going into production of the first shoots for 2013 (in fact, we started last Friday!), but the main event is the cover shoot on Thurs. Am chanting for good weather as I type this as the logistics of a cover shoot are a nightmare to coordinate. It takes a village...




Kelly M shot by Jonas L
Melanie Z shot by Olaf M

Kimberly V shot by Jonas L
Cara G shot by Gordon L
Update: Requests for info on outfits! From top to bottom: Michael Kors, Paule Ka, Armani and Jean-Paul Gaultier.

Karen Yiu did most of the hair/makeup, except Cara Grogan's shoot which was by Marian Woo.

Stylists were Tasha Ling, Jolene and Harry Lam.

We did an ad hoc poll among those in the biz and favourite cover was.... Melanie Z shot by Olaf Mueller. 




Sunday, 30 September 2012

A Star is Reborn: Sridevi

Fifteen years after she stepped out of the spotlight to focus on her family, Indian film star Sridevi returns with a new movie. P.Ramakrishnan meets the Bollywood legend.

Queen, housewife, journalist, nurse, mystical snake-woman, princess, bandit, goddess, secretary, mad woman, fallen angel, police officer, drug addict, wannabe pop star, dancer, singer, embittered first wife, chief executive, Afghan tribal leader,  falsely implicated drug smuggler and streetwalker – Sridevi has been them all.

Star of  more than 200 Indian films (in five languages) and a member of the haloed pantheon of Bollywood celebrities, Sridevi is a larger-than-life figure.  She had done it all on-screen by the age of 34. With beguiling, sari-clad ease, she’d sung and danced, grieved and raged and cried and laughed on the big screen. As a child star – she won her first award before she was a teen – to a leading lady and screen icon, her cinematic journey was marked with box-office triumph, record-making paychecks and trophies galore.

Then she took a break – for 15 years.

WITH  A TEAR ROLLING down her cheek and a quivering smile, Sridevi faced a 10-minute standing ovation after the premiere of  her comeback film,  English Vinglish, at the Toronto International Film Festival on September 14. At the event, her glistening  Sabyasachi  Mukherjee sari ranked her alongside  best-dressed celebrities Zac Efron, Penelope Cruz and Monica Bellucci – and that was before she brought her most potent weapons to bear.

Sridevi at the Toronto International Film Festival. Sept 14, 2012
“Those eyes – when she looks at you, you sort of get lost,” says writer and director  Gauri Shinde, who yanked Sridevi out of her self-imposed retirement. “As a woman, I  [was affected], I can’t imagine what it does to men.

“Meeting Sridevi the first time was surreal. Is this true? Is this happening? I felt like I was in the middle of  Requiem for a Dream, not sure what was real and unreal. I sat there and just watched her.  And she looks like a diva-movie star in her natural state. She was at home in blue jeans and a shirt. She had no make-up on, her youngest daughter was running around. She has this lovely, luminous skin and the most gorgeous, heart-breaking eyes…”

Heart-breaking indeed.  Oscar nominee and  Midnight’s Children director Deepa Mehta, who ran into Sridevi at the  festival where both their films were being screened the same week, tweeted: “There is something very poignant, heart-breaking about a megastar making a comeback after eons.”

Shinde flinches at the word “comeback”: “Oh that expression means nothing to me. The movie was never a vehicle to bring anyone back. My husband [producer/director  R. Balki] was in conversation with Sridevi’s husband,  Boney Kapoor, and casually mentioned that I was working on my first film. Sridevi overheard and was intrigued by the story. She asked to meet me.”

With a background in  advertising, Shinde wrote and directed a slew of  minute-long ads in Mumbai before she took a break and flew to New York to study film.  Her first short,  Oh Man! (2001), was screened at the  Berlin International Film Festival. Her latest script, written in 2008, was penned  without a specific actor in mind.

“My first full-length feature film, with the most famous Indian actress alive – who thinks like that?” laughs Shinde, pulling back copious curls. “I’m certainly not that optimistic. I feel everything fell into place by some miracle, from my DOP [director of photography], music director, crew and cast – that includes  Mehdi Nebbou [seen in  Steven  Spielberg’s Munich and  Ridley Scott’s Body of Lies], I can’t imagine this movie without them. The script   I had written, shooting that in cinematic New York, in Pune, where I grew up, in Mumbai, where I work, it was all a waking dream come true.”

“The script made me want to do the film, and, of course, Gauri,” says Sridevi,  when I grab a few minutes with her at the  JW Marriott hotel in Mumbai. She has just finished a workout and  stands before me in a tracksuit. Her hair pulled back in a tight ponytail, her unmade-up skin showing few signs of her  49 years. She’s soft-spoken, notably shy, yet easy to smile.  And when she looks at me, I know immediately what Shinde was talking about when she mentioned those eyes …

I zone back in and ask about the reasons behind the 15-year break.

“When I had my daughters, I didn’t want to miss out on anything, so I took a break,” says Sridevi.  “I didn’t want to miss their first words, their first walk, by being on a set while the nannies took care of them. Because of my children, I didn’t miss the industry, not even a little bit.

“But I didn’t think I’d be away for so long. When Gauri gave me the script to read, I loved it. I could relate to it – so I did it. Had she come to me four or five years ago, I would have said yes then, too.”

Born to  Ayyappan and Rajeshwari in  Sivakasi, Tamil Nadu,  Sridevi was first cast in a Tamil film  at the age of four. One film led to another and  her  career as a formidable child artiste grew as she appeared in a spate of South Indian films. National recognition came a little later. Solva Saawan  (Sweet Sixteen; 1979),  her first  Hindi film, tanked  at the box office and Sridevi was happy to never do a  Bollywood  movie again. She’s often said she hated doing the film as she didn’t understand Hindi.  Years later, she gave Bollywood another try. With her voice dubbed by another artist (she learned Hindi years later), she exploded into the national consciousness in  Himmatwala (The Brave One, 1983).

So much has changed in the  15 years  she has been away from an industry that centres on the young, the new and  the endless parade of beauty queens and models with limited acting skills.  In her second act, will the audience find Sridevi as appealing as they did when  temples were created in her name? The premise of  English Vinglish is unlike any  of those that are garnering millions at the box office in India, or  elsewhere, where action-packed flicks and inane, slapstick comedies have been  filling cash registers.

And then, there’s the age factor.  As  Meryl Streep famously said in Vogue after having been offered three parts as a witch: “Once women passed childbearing age … they could only be seen as grotesque on some level.”

When Sridevi left the industry she was pregnant with her first child   and had seen the song and dance numbers peter out. She had been nominated for best actress at the Filmfare Awards – the Indian equivalent of the Oscars – consecutively for five years  and the critically acclaimed film  Lamhe (Moments, 1991) had garnered her nearly every major award, although the box office had not been kind.

If Shinde’s anxious about  ticket sales, though, she shows no sign of it.

“It’s been a blessing that I’ve not had a moment to think about opening weekend box-office figures,” Shinde says. “There’s always a modus operandi in the media to work a phrase into a film: it’s a ‘women’s picture’ – which it isn’t; I’m no feminist, neither is my film – it’s not a ‘comeback film’ – which is such an easy slot to pigeonhole this into – and I certainly don’t think about whether the movie will make a 100 million. I honestly haven’t thought about it as we’ve been working day and night to meet deadlines, firstly to send the final cut to Canada for the film festival, then simultaneously, as the movie is being made in regional languages, we’ve had launches and premieres in different states in India, so all that has to be overseen.

“Thankfully, my husband is Tamilian, he’s been going over all the details for the [southern] states in India.  We’ve not forgotten that Sridevi is one of the last pan-Indian stars. She’s a familiar face everywhere by the sheer volume of films she’s done.”

In English Vinglish, a linguistically challenged housewife,  Shashi (Sridevi), is  married to an educated patriarch  (stage actor Adil Hussain), who is condescending about his wife’s English. A family wedding takes Shashi to New York, where she’s traumatised by the overwhelming city and its foreign cacophony. Encouraged by her niece, she takes up English tuition, joining a class of immigrants.

Having been the leading lady in five regional languages, Sridevi  says, “I’ve always had a problem with language – so when I did this film, I could relate to it instantly. I’m not fluent in any [she says with a laugh].

“My directors used to call me a parrot,” she said in an interview with CNN. “I’d retain the dialogue, emote what was necessary, but I didn’t know what I was saying in the beginning when I did films in Kannada, Malayalam and even in Hindi in the 1980s. Now I’m better but …”

A comedy of errors and miscommunication aside, the film is a gentle probe into class structure, alienation, fear and embarrassment brought on by a world that speaks a common language – but where the lead protagonist doesn’t.

“My mother’s the inspiration and starting point for the film,” Shinde says. “She’s a businesswoman and always felt had she been fluent or at ease with English, she would have prospered much more.  She thinks the film’s about her – but it really isn’t. There’s no Frenchman in her life who comes  and whisks her around New York. She’s happily staying put in Pune.”

How did the Frenchman, played by Nebbou, who is used to working in understated American and European films, feel about his love interest?

“He, like most of our cast, was in awe of our leading lady – my husband calls her the ‘hero’ of the film,”  Shinde says. “Sridevi has this awesome way of being completely true to her character on-screen and then she just switches back to being herself when the scene’s done.   She’s very shy and  keeps to herself, mostly. Well, she did originally and most of the crew – many of us who grew up watching her – were in awe of her. But she made the effort to put her co-stars at ease.”

As the late  photographer  Gautam Rajadhyaksha, who had known Sridevi from her first few Hindi films,  once said: “There are two Sridevis. Two people as different from each other as you can imagine, leading quite separate lives, who never seem to meet even though they inhabit the same body. I first met the off-screen Sridevi. She’s shy, unsure, awkward, an almost simple-looking girl who  talks in barely audible murmurs. Then, there is the screen Sridevi, who appears as if by magic the minute you switch on the  arc lights. She’s a sensuous seductress capable of unblocking your abused arteries with one look from her smouldering eyes.

“No matter how she saps my energy and spontaneity with her obsession for perfection, the Adrenalin spurts back the moment she turns to face the camera.”

At the Toronto  festival, co-star  Adil Hussain said: “Having worked on stage for years, I’m not in awe of stars. When I heard I had to work with her, I thought, ‘Good, she’s a good actor.’ But the one time I was nervous,  was during a scene near the end of the film  when I had to dance with her.” Hussain   covers his eyes with his hands. “Dance with the Sridevi. That day I was full of doubt.”

Says Shinde: “She  doesn’t live in the past, there are no affectations, she’s supremely  … normal. She’s just so calm and collected.”

The film itself has a patina that’s more Westernised than the glitz and glam of  the average Hindi movie. The director’s proclivity for independent films as opposed to mainstream, song-and-dance flicks, is visible  in the trailer.

“I think my film is not ‘filmy’ … Despite having such a glamorous mainstream actress, I didn’t want to fall into that trap. We kept it   suited to her character, there’s no big ‘item’ song number, and this is despite the many people who told us that you can’t have a film with a dancing diva and not make her dance. But I listened to no one. You’ve got to have conviction in your own story, what’s right for her character, it’s pitched that way. There are no jokes per se, there’s no slapstick, there’s humour, drama, emotion, romance, it’s all there, but it’s subtle.

“It’s a different masala.”

English Vinglish is showing on October 5 and 6th at Chinachem Golden Plaza Cinema, Tsim Sha Tsui, Hong Kong
Shows: 9.30pm
Tickets: HK$120 - HK$180
Tel: Morning Star: 2368 2947



NOTES: Have written for Post magazine for years, my first cover story and that too with my fav subject in the world; Sridevi. Every teenage dream of mine came true.

Got a note from Shobhaa De, author and a power-that-be at Penguin India, to write Sridevi's biography. Hmm. Something to think about in 2013...

An archive of other interviews and features of mine with B'wood actors:

Hrithik Roshan, The Master's Apprentice 

Aishwarya Rai: Hooray for Bollywood

Abhishek Bachchan: Heir and Graces 

Priyanka Chopra: My Life 

Sushmita Sen: Universal Appeal 


Amazing to see Sridevi on the cover of Hong Kong's largest circulated magazine (in English). South China Morning Post's weekend magazinee, Post magazine.


UPDATE: Note from Gauri Shinde below. I die! =0)

Monday, 5 April 2010

Savoir Faire: Michael Wong: Interview with Hong Kong Star: Cover story for High Life: Cigar Magazine

Hong Kong actor Michael Wong was in conversation with P.Ramakrishnan while he was blowing smoke up... at the Cigar Divan in Central. 

Images by ace photographer William Furniss.


According to Will Smith’s chart buster “Getting Jiggy With It”, the cigar is “for the look” but he doesn’t light it. For Hong Kong actor, model, producer and writer, Michael Wong, the cigar is all about the taste, the flavour, the mood and so much more.

As we meet for an interview at the Red Chamber Cigar Divan, which is adjacent to the iconic Shanghai Tang flagship store in Central, Wong settles himself into a lounge chair and lights up one of his favourites. “I love a good cigar and I’m so grateful that David Tang has this place set up for us aficionados,” he says. “A great cigar does cover the full range of emotion, it’s always there for you at the right time. It;s that great companion that’s there when you’re in a contemplative mood, if you’re ecstatically happy… whenever.”

Before we continue, let me narrate you this cigar and David related tale,” he says with a laugh. “I owe him! I had asked him a favour a few years ago, when I was doing a series with Dennis Hopper. I wanted to give Dennis a gift on behalf of the cast and crew and so I called David because I knew Dennis loved his cigars. David generously gave me a box of Sir Winston and Trinidad, but unfortunately, the timing didn’t work out. By the time I got back to location in Shanghai, Dennis had already left and I had to share the cigars with the crew!”

So you feel guilty about that?

“No, not even that. What I felt really guilty about was that I called David on the phone, and I was in a taxi back here in Hong Kong and he must have been in the London. I was in a really giddy mood, and I must have woken him up. I was yelling, “Wei, wei, wei!” And I was laughing because I was in the car with friends and joking around and finally I heard him say, “I can hear you, who is it?!” and I hung up! I was so embarrassed! PS: Dear David, that was me on the phone that time and I owe you an apology, and my extreme gratitude in accommodating me.”

Even the people watching the photo-shoot join in the laughter.

American born, 6-foot tall, Hong Kong movie star Michael Wong has acted in over 60 films in the last 23 years. Li Cheng (also known as Miles Apart) was the first film he directed and co-produced, while he has also modeled for international brands and appeared on television shows. Married to the glamourous model Janet Ma, and brother of fellow actor/model Russell, Wong’s high-profile career so far has been a wild concoction of hits and misses.




Reflecting back, he says, “I think it was in a movie I was working on in 1995 when I first had a cigar on film. The projection of the mafia or bad guys smoking didn’t really bother me. When I played the role, I was the good guy in the film who was smoking. I convinced the director that it should be a trait in the character. I was lucky that he agreed with me so it was a great excuse to smoke during the day - as part of the job.”

Wong insists that he never smokes in front of his children and if there are kids around, he doesn’t like it when people light up either. “Places like this divan, or a cigar chamber, I think men should be gentlemanly about smoking cigars, be in company that permits, no, company that enjoys it as much s you do. All good cigar smokers are gentlemen first.”



Red Chamber Cigar Divan
Shop M1, Mezzanine Floor
Pedder Building, 12 Pedder Street
Central
Tel: (852) 2537 0977


Cover story, The High Life

Sunday, 23 August 2009

Naomi Campbell: Queen of the Fight




Naomi Campbell stands out for being 'the' supermodel amongst supermodels, who has sashayed around the globe, graced innumerable magazine covers and lived a life so extraordinary, scarcely will the next generation believe such a beauteous creature ever existed. P.Ramakrishnan was in conversation with the catwalk queen.




Controversy’s favourite fledgling, the only supermodel to grace the cover of TIME, Naomi Campbell, 35, is indubitably the most astonishing sight to behold our attention for now nearly two decades (she was but a teen when she started her illustrious career).

The fab five a decade ago were not the makeover specialists from a mediocre TV show, they were the vainglorious divas that included the elite, impenetrable circle of Claudia Schiffer, Christy Turlington, Cindy Crawford, Linda Evangelista and Naomi Campbell. A heady brew of extreme beauty, power, wealth and fame, they were the deities destined for idle worship. Strutting, sauntering and sizzling when they made US$10,000 per show (the infamous Evangelista quote!), when they dated actors and rockstars (um, all of them!), spent more time on air than the ground as they pirouetted around the planet.

Post-millennium, where are the supermodels of this decade? Pretenders to the throne, there are many who come in with a bang, and leave without a whimper. In a profession where hitting 24 is the kiss of death, Campbell’s pouty lips still smirk across the A-list publications.

You’ve been defining what beautiful is to the world for over a decade now. The only black supermodel to make the cover of TIME magazine and, though there are other aspects that make you the defining supermodel, your career’s largely dependent on your looks. Do you worry about your looks?
Well, my mother [fashion designer and sometime model Valerie Campbell] looks wonderful and I hope I inherit that from her. But no, I don’t worry about my looks. I take care of myself.


TBC...



Please note that this tele-conversation with the supermodel, part-time actress/singer/author and full time diva Naomi Campbell was conducted days before… well, let’s call it the unfortunate, headline making, stop-the-press breaking incident! You know, the one with ‘the actress’ claiming Campbell attacked her. A headline that’s cropped up annually over the last decade. The case is still pending as we go to print...




Published in Kee magazine,
Fall 2005

Thursday, 13 August 2009

Sibling Revelry: Mary-Kate and Ashley Olsen in Hong Kong for Lane Crawford

Famous before they turned one, twenty-one years later, it is no exaggeration that they’ve achieved global domination like no other celebrity – especially in the pre-teen demographic (while remaining a guilty pleasure for the young at heart!). P. Ramakrishnan was in rapt conversation with the world’s most celebrated twins and fashion-forwards; Mary-Kate and Ashley Olsen. Over diet-cokes and still water (their respective choices over the chat), they talked about fame, fashion, frenzied fans and fanatical photographers. 

“We are sooooo coming back to Hong Kong and looking around next time, our schedule’s been so tight, I really want to see the city and maybe check out Thailand too. And India’s a dream destination where we were planning to go last year but it didn’t work out in the last-minute and…” says Ashley Olsen, 22, as she rattles off the Asian hot-spots in a frenzy of youthful exuberance and excitement as no visible signs of a 16-hour-flight from New York lags on her rosy cheeks.

And why would it? Painfully young and exquisitely well put-together in her signature line of Elizabeth and James, with costume jewellery in exaggerated portions sparkling off her finger… Scratch that. Costume? They could very well be the real deal – with a net worth of over US$1 billion, being in full financial control since 2005 when they turned 18 of their company Dualstar Entertainment Group, the Olsen siblings are not short for change. So if a girl wants a diamond ring the size of a quail egg, by George, she’ll have it! Ashley Olsen’s every bit the fashion icon her press release states her to be, confident in her stride, sure in her every step.

Each step over a pair of Balenciaga shoes which look dangerous in their black leather high-heeled extremity. when she scuttles to her chair for the chat, it seems she could trip and tip right over. With three security guards (two agents, three representatives from the company and a host of nameless faces part of their entourage) within an arm’s reach, should she teeter and fall, when an avuncular chide to be careful is said out loud, Ashley giggles and says. “Oh they’re my favourite pair! They are so comfortable.” As the precarious six-inch heel seems to engulf most of her petite frame, we’ll take her word for it.

If you fell and tore a sleeve, would you be able to sew your shirt up? “I’d give it a try,” she says with a sly grin. “It won’t be that good, but I’d try it!”

As we laugh like children who’ve shared a secret, there lies that faint recollection that this half of the multi-millionaires heiress has lived in a bubble of fame as far as memory serves.

Born to Jarnette and David Olsen in Sherman Oaks, California, the girls started their acting careers on the television series Full House in 1987. Courtesy of syndication and perpetual re-runs and an inexplicable mass appeal that crosses borders, language and cultures, the poorly acclaimed yet vastly popular sitcom took a life of its own and spawned nearly eight seasons. A few weeks shy of turning one, the girls were both cast to play one character; Michelle Tanner. Cherubs with large blue-green eyes, they were an instant hit – as was the show.

What was supposed to be a platform for three adult comics, it become the mother of all family shows, capturing a young audience (and the young at heart). Espousing good family values and a squeaky clean image, the girls played the same character with engaging expressions and precocious punch-lines which did wonders for ratings. The show lead to videos, to TV movies that went on to full length features… and more. A small empire with a big turnover was born landing them both on the Forbes power list, ranking the two as the eleventh-richest women in entertainment.

In town to promote their line of clothes, we meet a day after the launch bash at Lane Crawford’s store in IFC mall. With more gatecrashers and guests playing fast and easy with their invitations, nearly everyone brought their young ones along to meet their idol Americans. “We were a bit taken aback by the response,” says Ashley in wide-eyed surprise. “Usually when we’re meeting clients in a new market, its usually a quiet cocktail and we meet a few people, take a few pictures – but I’ve never seen so many people head straight towards us.

“People were very sweet. Some guy shook my hand and then kissed it,” says Mary-Kate with a smile. “Didn’t know who he was but everyone was being so nice. I wish we had more time to stay and take pictures with everyone and meet them all but, we were booked up.”

While their clothes were on exhibit around the shop, for most of their frenzied fans, the Elizabeth and James line spear-headed by the twins, is all too familiar. For the rest of the fashion un-savvy, Ashley tries to explain the ethos behind one of their brands (The Row line – inspired by the casual chic of Savile Row - is also under the aegis of the awesome twosome), of mixing masculine and feminine virtues. She reads her inept audience. With most in the room double her age and twice her size, it’s time for a little show and sell.

“Look at this shirt,” she says, getting up and striking a pose prior to the shoot. “It’s a guy’s shirt. Well, it could be. The stripes, the ease of it, the way the sleeves roll, the lack of frills. But it goes with this girly black skirt – it’s combining the silhouettes of masculinity and femininity in the same look. And everything in the collection is a mix and match - which really reflects our own style. With a high-end top, a chic scarf that doesn’t cost as much, everything can be put-together. Having fun with the look is so important – and making it affordable from a price-point.”

Skimming through their line of clothes, there’s the peacock Penelope dress, a stripe woven T with a simple black skirt, a lush sequin vacation dress drapes next to white tuxedo shirt - her words resonate. Suddenly you see it – get it. Colour me converted! And yet lies the hint of suspicion.

Celebrity sprinkled designer duds (Madonna, Jennifer Lopez, Jessica Simpson and the similar ilk) are often fronted by the famed, but affronted by the ‘real’ designers. As Roberto Cavalli famously stitch-slapped Madonna, “Maybe tomorrow, I get up and sing eh? And I become a rock-star. Singers should stick to singing, designers should design!”

Gently I broach the subject. Known for her turn in film and television, not having studied the craft of dress-making, when asked how involved she is in the process of the designs, says the straight-haired Olsen, Ashley, “In almost all of it. OK, I’m not a great sketch artist and I can’t sit and needlepoint but when it comes to the entire collection, from themes and ideas, to what patterns to use, to which fabric and why, how we mix and match, the colour scheme we want to incorporate, what materials to repeat and discard, what shapes we want, the silhouette we’re looking for - we are involved in the entire process. It’s our project, our name – well, our brother and sister’s name– on the items. It’s so important to be physically a part of it.”


Says Mary-Kate, “And everything we see inspires us. When we were landing in Hong Kong, the skyline of the city is so incredible. We had this mental picture of what the city would be like – but it’s so much more than its promises. The architecture, the street-style, everything’s inspiring. So in the next collection, if you see something that reminds you of Hong Kong, it’ll be because of our trip here.”

Though often reported that they named the brand in ode of their brother and sister, the girls are quick to clear up the false reports. “It was purely coincidence!” they both chime. Though the interviews were conducted in separate rooms with each individual, apart from their striking looks, they share an exquisite likeness in thought; reiterating each other’s beliefs and sentences, mirroring their philosophies. Either they’ve got the PR spiel down pat, or it’s the echolocation brought on by their unique bond. As the girls intertwine their fingers during a shoot or flow into joint poses, the phenomenon the two are becomes all too apparent.

Did your other siblings (the girls have two half-brothers) get vexed that they weren’t chosen in the final call? Did they hanker over favoritism as their monikers weren’t considered? “No, they really didn’t care. Even when the brand came out first, Trent (that’s what we call James at home) and Liz were completely surprised. We didn’t tell them in advance and they weren’t that fussed over it honestly! We were with our company’s partner and wanted to create this line of clothes with a strong name and it just so happened that these names were selected.”

Though their company Dualstar engulfs most of their empire (with video, CD, DVD, games and other Olsen paraphernalia having sold over US$150 million), why choose other names to establish a label, when their own is one of the most widely-recognised trademarks on the planet?



“We were working on names with our company partner and Elizabeth is such a beautiful name and so was James, which is so masculine and it sounds so strong,” explains Mary-Kate. “It’s as simple as that.”

How did germ of an idea come about that you guys could do this design line? Says Mary-Kate, “When we were younger, around the ages of 10, 11, 12, the show and videos were doing really well, and we were getting really well-known and we would have these events to go to – but with no appropriate clothes. What would happen is that we’d get adult designer clothes and alter them to our sizes. I’d see a great Marc Jacobs jacket but have to cut it to my size. There was this huge lack in the market for great clothes for young people. We thought we could do something about this – make great clothes at affordable prices for young people.”

A philosophy that major brands, run by men who’ve been in the business for half-a-century, try to espouse with variable degrees of success. Its alarming that these gifted girls have captured the market as swiftly as they have. “The clothes for kids were all candy-coloured and with cartoon characters, which is fine if you’re into that, but we weren’t. We had our own style...”

The bohemian hippy chic?

“Oh that was then,” laughs Ashley, near impeccable now in her polished incarnation. Lampooned by the New York Times for ‘pioneering their signature homeless look’ the girls sartorial succession was dramatic. “Every look has a season and its constantly changing – you know that. We are evolving and growing and its unfair that once the media gives you a label, you’re stuck with it. Yes, we liked over-sized clothes and scarves - but that was then!”

The press, especially the online e-media stalkers, had a field day with the girls and their every move, outfit, bag or shades. “Things I used to read or hear from others was frustrating. About how often we were at Starbucks – well, that was ridiculous,” says Ashley. “We had our morning cup and that’s the only time the press could see us out and that become our box. We were just stuck in it and what was said about us was rarely true.”

With more online sites and a flurry of tabloids dedicated to their every move and breath, how these young girls take on the sniper paparazzi cannot be fully comprehended as Mary-Kate tries to explain, “Well, in LA its just dangerous. They will do anything for a picture. In New York, people are slightly more respectful – just slightly. It’s been such a pleasure to be in Asia where the media treats us with such dignity. They are far more ruthless in the US because they have no privacy laws and no way to stop them. Even France has stricter rules.”

What’s been the most hurtful or false misconception about you?

Responds Mary-Kate, “You know what, we stopped reading anything about us. We just block it out. It’s hard to believe but its true. The tabloids, the sites, we just don’t want to know. We wake up, go to yoga, have breakfast, go to the office, have our meetings or our film or TV shoots, our work – that’s our life. The rest is not important. We try to lead our lives with as much integrity as possible and we zone out the negative.”

Having been under the spotlight for decades now, you’d think the two are immune to the harsh glare.

“We don’t go to clubs and have wild parties. We have dinners at home, our friends who we trust come over, who won’t sell us out, who won’t say false things to make an easy buck…” she continues, with a quiet pause and a reflective look out to the sea-view of Hong Kong harbour from their expansive Four Seasons suite. Mary-Kate comes back and her blue eyes pierce through. “If we meet someone, they don’t suddenly become our BFF. Trust takes time.”




The softer, more chilled out of the two, there’s an endearing insouciance to Mary-Kate that’s complimented by the tougher, straight-to-the point Ashley. Sporting a Chanel bracelet on one arm and twiddling with her ring on the other, when asked if she still wears other brands (the girls famously did the ad-campaign for Badgley Mischka, spoke to Vanity Fair about their vast collection of Juicy Couture) says Mary-Kate. “Of course. But recently we’ve been buying accessories more than outfits. If there’s a style we’d want to wear, we’d get it made!”


Images, Courtesy of photographer Olaf Mueller.