Showing posts with label Book review. Show all posts
Showing posts with label Book review. Show all posts

Tuesday, 19 August 2025

Taschen’s Latest Tome on Fabulous Costume Jewellery Showcases a Dazzling Journey Through Time, Design, Art, and Ersatz Stones


Exploring the exquisite world of imitation gems and their cultural significance in fashion history, this book is a triumph.

In the realm of haute couture, where diamonds and precious stones reign supreme among the upper echelons of culture and society, there exists a parallel universe that is both enchanting and accessible: the world of costume jewellery, often dubbed “democratic jewels.” Renowned art book publisher Taschen is releasing a magnificent, gorgeously photographed, illustrated, and eloquently written hardcover tome, Costume Jewelry: The Collection of Patrizia Sandretto Re Robaudongo, featuring the work of photographer Luciano Romano, author Carol Woolton, and fashion critic and curator Maria Luisa Frisa.


Read the entire feature here at Robb Report Hong Kong.


Tuesday, 9 April 2019

The Art of Love Kate Bryan: The most fascinating couples in the world of art


Having featured Ms Bryan since her time in Hong Kong, am very excited to pick this up from Amazon; The Art of Love by Kate Bryan.

"
The Art of Love tells the stories of the most fascinating couples of the art world, exploring the passionate, challenging and loving relationships behind some of the world’s greatest works of art.
From Frida Kahlo and Diego Rivera to Joseph Cornell and Yayoi Kusama, Josef and Anni Albers to Gilbert & George, Kate Bryan delves into the formation, and sometimes breakdown, of each romance, documenting their highs and lows and revealing just how powerful love can be in the creative process.
Whether long-lasting, peaceful collaborations, or short-lived tumultuous affairs, The Art of Love opens the door on some of the greatest love stories of the twentieth century. "

Grab your copy from Amazon here. Obviously have already pre-ordered it.

Below portrait Kate Bryan at Madam Fu, shot by Dino Busch. 


click to enlarge





Wednesday, 16 December 2009

Reflections on the Hindi Dream Factory: Book Review of Bollywood Boy by Justine Hardy

BOOK REVIEW
Bollywood Boy
by Justine Hardy
John Murray HK$235

Review by P.Ramakrishnan

TRUTH BE TOLD, we do judge a book by its cover and the assaulting pink backdrop and floral brocade of this novel ensures sore eyes on sight.

It is a travelogue of sorts that follows the author's quest in nabbing an interview with Hrithik Roshan, one of the biggest Indian actors working today. In turn, the author finds herself on seamy sets of B-grade Bollywood flicks or at home with besotted teenage girls, desperate for an autograph of the elusive star. It all adds up to a humourous glimpse at the ingredients and audiences that feed the Hindi film factory.

But the author fails miserably to provide any real insight into the multi-billion-rupee industry that entertains more than one billion Asians (subtitled Indian musicals reach Malaysian, Thai, Russian and Singaporean audiences).

Scratching the surface of Indian celluloid, the vacuous conclusion derived is that there is some inexplicable order in the chaotic sets of the "fantasy factory" - a phrase repeated throughout the book. We are informed it's a superficial dream world - hardly groundbreaking stuff. Why some stars hit the big league with their first film (as the cover boy does), while others end up in poverty and prostitution is never fully examined and after touching on the premise, we cut to meeting an actor on a set.

When not describing and deifying the screen hunks she's seen outside a Mumbai club ("his shirt flew open for all to see. His chest rippled, his torso gleamed"), the book rolls along well. The pathos-filed ambitions of an unknown and struggling actress, the supporting artists she meets on the set of Snip, an Anglo-Indian movie, and the residual fame that illuminates the author as she reveals to others her appointment with the star, are very funny.

Written primarily for a Western audience, she wheels out far too much local lingo (italicised, of course) to highlight how well she immersed herself in the kitschy culture of popular cinema. Without an English translation for the novices and using the simplest syntax in Hindi, I wondered who exactly she was trying to impress?

The book is peppered with pictures of various Indian stars with astute captions, such as "Hrithik's hair-do had been puzzling me", just about encapsulating how seriously one needs to consider this 262-page ode to a muscle-bound, all singing-all-dancing hero and the phoney land he rules.

There is much tongue-in-cheek humour that provides a good read and plenty of laughs, but I often wished she'd kept her tongue in check instead.

Published in South China Morning Post