Behind the scenes of an epic fashion covershoot.
Behind the scenes with Ling Hsieh.
Good times.
The magazine was the most fun media office in Hong Kong/Asia under the mindful eye of Christina Ko.
Now, well, things have changed.
Behind the scenes with Ling Hsieh.
Good times.
The magazine was the most fun media office in Hong Kong/Asia under the mindful eye of Christina Ko.
Now, well, things have changed.
High res pics, information, design, something cohesive and on theme... And trimming the copy - thank god for the sub-editors we had. Well.. some of 'em...
You can read the feature at the official website, this I found in my camera from September 2021! My time flies.
My chat with Loretta Chan is up at PrestigeOnline.com - read up here.
In an environment where philanthropists are increasingly concerned about social needs, HSBC Global Private Banking supports clients in their pursuit of driving long-lasting change in the communities.
During the past few decades, the number of charitable foundations has increased exponentially, just as philanthropy itself has evolved radically in this increasingly connected world.
Read my interview feature and interview at PrestigeOnline.com here.
Also see my listicle on some of the most incredible women in philanthropy in Hong Kong here.
Love what they do, who they are - these twenty women are changing Hong Kong with a quiet, resourceful integrity that is most becoming.
In the first of a series dedicated to people being the change they’d like to see in the world, here’s our salute to women in philanthropy.
See the - incomplete - list here - PrestigeOnline.com
There are plans to have additions and sequels along the way...
Yes, I am working on it as we speak.
R
We ask four of Hong Kong’s most avid watch collectors to give us a peek at their favourite timepieces.
Eliza Sam, the Hong Kong actress with a million social media followers, talks to us about everything from style to stilettoes, on-screen and off.
The entire feature and shoot is up at PrestigeOnline.com here.
Star of Hand Rolled Cigarette, it's a phenomenal debut. The young nominee is heading to awards season. Fingers crossed.
Signed with Model One agency-- that resemblance to Zayn Malik (without the awful tattoos!) paying off in some ways...
Shot on Sept 1, out by October, Kevin Poon graces the cover of the latest Prestige magazine. Was good fun to chat with the star of the cover and after its initial release, we somehow seemed to have ruffled a few feathers. Hmm. Good.
Lifting the veil of doom and gloom that has altered the way Giorgio Armani has presented his collection since 1981, the 40th anniversary of Emporio Armani wasn’t filled with movie stars (usually a staple on the front row of his shows), political heavyweights, jet setting socialites and supermodels but a socially distant affair with a level of studied, honed perfection that only he can provide.
Locked down at his palatial home on Via Borgonuovo in Milan, Armani digitally presented the Emporio Armani collection to a global audience – streaming it online for audiences in New Delhi to New York, Tokyo to Paris. The entire world of fashion purveyors watched simultaneously the mix of the 1980s disco era and the modern that strutted down the catwalk. A patina of technicolour dreams, as well as his signature navy and all-black ensembles. Flashes and pops of colour with contemporary cuts, exquisite silhouettes, patterns and monochrome.
Filmed against a backdrop of the brand’s name writ in neon, the collection had all the signature pieces one expects from the legend; luxurious fabrications, glitter, leather, whimsical cuts and classic silhouettes, the pride, the peplum, the pinstripe, he showed it all. Models wearing knits with sequin borders, jacquard, suitings for women and loungewear tailoring for men.
For long loving, enduring fans of the brand, there were new graphic shapes, amplified colours, as well as reassuring crystals and glittering gowns – those most often seen on the red carpet of every award show. Pieces you’ll see again on Armani’s muses like Cate Blanchette, Julia Roberts and that A-list ilk; there’s a reason why he’s held the crown of “the king of the Hollywood red carpet” (Vanity Fair) since 1978, when he first dressed Diane Keaton. Movie stars and Armani go hand in velvet-gloved hand so when you see a black and white gown with glittering embellishments, you know Kidman will swan down the stage like he made it just for her.
No other designer of his vintage – Giorgio Armani turned 87 this past July – stands this tall, relevant and a force to be reckoned with. Trends come and go, tides rise and fall. Style is eternal and Armani is forever.
P.Ramakrishnan
More at PrestigeOnline.com
With Covid focusing attention on our own backyard, this era of style in the city is renegotiating in familiar territory. And from talking to the experts, common arcs emerge.
You can read the entire feature online here at PrestigeOnline.com