Text: P.Ramakrishnan
Photography: David Wong
"There are only three times when a woman should be mentioned in the paper - when she's born, when she's getting married and when she dies," says Michelle Blumenthal. "I grew up in that old-world scenario with old fashioned virtues, so I'm not completely comfortable with this sell publicity."
Time, then, to talk about what she knows best: art. Blumenthal represents some of the finest mainland artists and acts as liaison between the art and business worlds, an example of which is visible at the Conrad hotel's Brasserie on the Eight restaurant, which is exhibiting the work of Sichuan artist Luo Fahui, one of her select few clients that include Yang Xhu, Sun Liang and Huang Yuanqing.
It may seem an odd choice to exhibit the esoteric artist's work in a highly commercial setting, but the reason is straightforward. "Hong Kong does not like to go to art galleries - that's for a very select group - but they do like to go out to eat," Blumenthal says. "For that reason, for the art to reach the public and high-profile guests who might see something they like and pick it up, I chose the Conrad. In Europe and America, there's a niche of trendy people, the art connoisseurs, where there's an acceptance of art in the social fabric and it is respected and nurtured. We have to strive for it a little more here."
Born in Bulawayo, Zimbabwe, and raised in Cape town, South Africa, Blumenthal has a background in public relations and marketing. She later worked as a commodities trader and for a shipping line, a job that brought her to Hong Kong 18 years ago.
"There was always an attraction to get away from what I had done before," she says. A growing interest in art and China led to a natural progression into the world of Chinese art and a change of career in the early 1990s. Through her company, A+A Phoenix, she arranges exhibitions and deals with the business interests of her mainland clients. "Many work to live, I choose to live and work this way," she says.
She often attends local art exhibitions and events but only acts as an agent for mainland artists. "Mainland artists are a little more sophisticated, there's a depth to their work that's brought on by a level of education that supersedes that of local artists, so their choices are a bit more sophisticated. They are more in tune with what's around them. Artists there have a different history, whereas Hong Kong has been ccomfortable for a long time. Disomfort is something that encourages growth."
Blumenthal says she builds trust with her artists and stays with them through their development. "I don't believe an art dealer or a gallery owner should dictate the work of an artist, which does happen often. Gallery owners wield a certain power the artists, once they pick one and like the focus of their work, their genre; the artist might be forced to stick to that, to what sells. But if he or she changes, that same framework might not surround him or her. Limiting that creativity where an artist has to replicate a formula that is stifling creativity."
She shuns high-profile launches, aware that many in Hong Kong would turn up more for the photo opportunity than the artistic talent on display. Instead, she prefers to balance commerce and art with smaller exhibition launches.
"There is one particular family in Hong Kong who collects contemporary Westerrn and old Chinese artifacts and one of the ladies is very knowledgeable. I asked her to attend an opening but she saw a preview of the work and did not like it so she didn't want to attend... That is a form of artistic integrity I fully appreciate.
"When you look at a painting and it does absolutely nothing for you inside, then it doesn't work. If it does not provoke, it's dead. it's just colours on paper, it's..."
Substitute wallpaper?
"Exactly."
Wednesday, 12 May 2010
Rich Pickings: Discount VIP cards in Hong Kong

Discount cards might be about saving money, but for the wealthy they're also about being a member of an elite club, writes, P.Ramakrishnan.
It's an everyday scene in Hong Kong's high-end boutiques full of high-end shoppers, Mrs Tai Tai, soaked in designer perfume, steps into a luxury store and picks up a logo-embossed bag without looking twice at the multiple-digit price tag.
At the counter she opens this seasons's wallet and her manicured index finger searches among a fan of plastic cards for the gilt-edged discount card. She pours them out and asks the ever-smiling girl at the counter to pick the card that will shave the most off the price. The $6,500 she just saved for her troubles means designer gloves to go with that swish satchel.
"Everyone loves a discount, especially the minted rich," says Elaine Young, chief executive of Shama boutique serviced apartments. "Just the simple thrill of saving $500, even if you've just spent $50,000. It's the upper echelons in particular who get an even bigger kick out of it.
"It is very Hong Kong, or perhaps an Asian trend where you go right up and ask for a discount. This would never happen in Italy or Paris where the super rich wouldn't dream of asking for a better price. But trying to save some money, even when you're at Cartier, is the done thing here."
The spendthrift lifestyle of the ladies-who-lunch isn't without its obvious perkss: the best hotels, designer brands, luxury stores, clubs and spas go out of their way to make guests and big spenders feel more privileged thaan the great unwashed.
Olivia Davies, columnist for Talkies magazine and one of Hong Kong's most recognisable socialites, says she has so many luxury discount cards that she needs another purse to carry them. "Lane Crawford, Kova, Dior, Gucci... I don't know how many I have. My husband also has some for hotels so if we're out, we're only paying for one lunch instead of two, depending on the hotel. Some of the discounts may not be much, but it all adds up nicely."
These cards were conceived during the economic boom of the late 1980s and early 90s. It was the prestige factor, not the monetary benefits, that made them popular. Which also explains why, although we're in an economic downturn - and despite Sars-related sales at many fashion outlets - there hasn't been a surge in customers using their money-saving cards.
It was a clever marketing gimmick that took on a life of its own. Most hotels and up-market designer stores introduced them in the early 90s-around the time Asia Miles and other airline points-based reward schemes began.
In a similar vein, even the more affordable department stores such as China Products, U2, Mango and even supermarkets such as CitySuper and Kalms gift card shops started rewarding regular customers.
I expect to see Davies with a multi-pocketed, voluminous wallet to house all these glittering cards, but she exclaims,"Of course I don't carry them around with me all the time. They recognise me at my favourite stores and I know I'm on the list."
Some of the biggest labels, such as Chanel, Fendi and Prada, don't have tangible discount cards. But there is an A-list database available to sales people that gives the privileged "special prices."
So who's on that list? None of the major brands approached revealed the names - or even the number of names that are carefully logged on their screens. The list does not guarantee fiduciary benefits, but offers ego massages such as first dibs on the season's latest accessories or home-delivered, laminated catalogues of the new season line.
A discreet spokesman from Fendi assures us they don't have a privilege card, but invitations to high-profile launches and champagne lunches are available to "friends of Fendi."
Young knows only too well about the list and how alluring a discount card can be. Her shama apartments (in Central, Wan Chai and Causeway Bay), are luxuriously furnished and the residency comes with a no-additional-cost gravy boat. As they settle in, tenants at shama receive a card called "shama no boundaries."
The card comes with an inch-thick, palm-sized folder with a guide to the best restaurants, hair-dressers, clubs and florists - all with a raft of discounts. The card also gives automatic membership to some of the hippest places in town. About 80 participating business in Hong Kong are linked to the card, for the 100-odd shama residents. When residents leave shama, they have to leave their card and its multitudinous perks behind.
"Our lists change with fads and so do our constantly growing benefits. It may be a free bottle of wine at some place or a table at a popular restaurant secured on a busy night," says Young. "We've just added access to the popular hot-spots such as Backroom and Dragon-i to our list of benefits. We've dropped a few non-happening places too, but it wouldn't be fair to mention those."

The network is big and getting bigger, but when asked if there were any other privilege cards to compete with shama, without hesitation Young says: "We don't have the global network of the American Express Centurion card. That's a card I can swear by. I was going on a trip to Europe where I wanted to see a paricular opera on its opening night - impossible right? But Centurion made it happen, right down to the limo ride."
But forget green, gold or platinum, the elusive black American Express card can only be obtained by invitation. Looking at credit history, spending habits and the longevity of a customer's relationship with American Express, the Centurion may well be the mother of all privilege cards. In addition to travel and entertainment benefits, within the confines of law and logic, Centurion takes its role in providing the near-impossible to their well-heeled customers, very seriously.
"We had a customer who forgot to pack his alarm clock while travelling around the world. Our offices did wake-up calls for him at every destination," says Zow Lau Yuet-ting, head of payment and financial services at American Express bank. "But that wasn't our strangest request. A customer wanted Chinese lion-dancing to be done at the opening of a shop in Sicilly. We found a kung fu master in Rome, trained him in the dance and he performed in this little village. The cost of hiring the person and getting him there was incurred by the customer but for our service, there was no charge. It's part and parcel of the deal when you sign up for the card."
Unlike other vards - which are offered to customers purely based on their spending habits - these cards have an annual fee ranging from $400 for the basic Green American Express card to $9,800 for the Centurion. The Centurion also comes with supplementary cards for business and private use, spouses and other relatives.
Tickets to the Oscars, getting your favourite chef across the planet to cook something for your companion when you're on holiday in Barbados - the list of "can-dos" by Centurion is mind-boggling.
The final word goes to Nisha Parmanand, Hari Harilela's grand-daughter who has been offered almost every card created. "No one really wants to be the common man on the street," she says. "To be the chosen one, to be singled out as someone of value... well who wouldn't want that? The card gives you a superficial reassurance, but it's still something."
Pulling out a card that gives her access to the Kee Club and a little red number that gives her 20 per cent off drinks at Post 97, she say, "Well, I was approached to join and I did. After the initial excitement of getting the card, well, as with everything else, it wears off."
Labels:
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Tuesday, 11 May 2010
Two Nights in Peking: Dior hosts not one but two extravagant gala nights: Anita Mui, Pansy Ho and a galaxy of Asian stars attend in the wake of SARS!
"The day we set the date for the opening of our flagship store, SARS broke out and made headlines," said Philippe Fortunato, managing director, Christian Dior Far East Ltd, after the last of 12 models had sashayed away. "We kept the faith and believed everything would be okay by this date - and here we are, at long last," he said referring to the Asian-inspired autumn/winter 2003 collection show, held at the penthouse of 1 Peking Road, to which we had just been treated.
It might not have been a very auspicious beginning but the culmination of all the effort - the grand opening of Dior's largest flagship store in Asia was, quite literally, a traffic-stopping affair. Dressed in black, red and sparkling diamonds, Hong Kong's A-list came out in their Limos and Rollers: Charles Yeung Chun-kam, Glorious Sun Holding's chairman; Frederic Dufour, Riche Monde HK director; Tina Liu Tin-lan, vice-president of Project Blossom; socialites Nina Lam, Harriet Tung, Wendy Wan and Jaqueline Leung.
Always gorgeous wedding planner Michelle Li defied the dress code ("But it is still Dior darlin'!"). Marketeer Mara Ho-Tung, boutique owner Mira Yeh, and James Louey, of the Kowloon Motor Bus family, and his wife, Jane, were lost in the blinding daze of camera flashes.
Outside, the crowd screamed and strained to see Canto-pop diva Anita Mui Yim-fong, escorted by a casually dressed Nicholas Tse Ting-fung. Film-maker Tsui Hark, Dr Eden Woon yi-teng, Hong Kong General Chamber of Commerce chief executive, and singer william So Wing-hong followed on the red carpet.
After a tour of the 4,500-sq-ft boutique, guests were invited to the rooftop and soon after the first few rounds of champagne, a charity auction was held to raise money for Project Blossom, an organisation that benefits children of SARS victims.
A Hardcore Dior handbag was snapped up by new-in-town socialite Cecilia Ying for an easy $15,000 while Pansy Ho Chiu-king laid down $45,000 for limited-edition Dom Perignon champagne. Before the auction of the "Gwendolyn" ring (a white coral, diamond and pink sapphire-studded little number set in yellow gold), emcee for the night, Dior's PR king Peter Cheung, coaxed an almost-reluctant Mui on stage.
Notoriously shy off stage, she came alive under the spotlight, her coquettish poses with the ring catcalled and applauded. The ring finally raised HK$235,000 at the silent auction.
William So Wing-hong pitched in later with two songs for the 100 exclusive guests. "Canto-pop stars usually lip-sync their way on stage but this guy can sing," said a very surprised Lumen Man Leung-yan, who was dripping in diamonds and mingling with girlfriends while her husband was away.
Lesser mortals would have been happy with one event but the following night saw "Hardcore Dior," a hot and sweaty affair held at the same venue, at which the music was louder than the guests - all clearly in the mood to "part-ay"!
Korean actress Kim Hyun-ju, Malaysian R&B queen Ning Bazuira and Shanghai model Lu Yan added international flavour. Hari Harilela's granddaughter Nisha Parmanand arrived with model Anna Schoenberg while singer Miriam yeung Chin-wah, clothes-horse Kam Kwok-leung and actress Cecilia Yip Tung walked straight into the VIP area.

But not everyone was so lucky and some didn't make it past the bouncers. the dramatics that ensued were hysterical as some of the barred guests made a scene unworthy of more coverage.


It might not have been a very auspicious beginning but the culmination of all the effort - the grand opening of Dior's largest flagship store in Asia was, quite literally, a traffic-stopping affair. Dressed in black, red and sparkling diamonds, Hong Kong's A-list came out in their Limos and Rollers: Charles Yeung Chun-kam, Glorious Sun Holding's chairman; Frederic Dufour, Riche Monde HK director; Tina Liu Tin-lan, vice-president of Project Blossom; socialites Nina Lam, Harriet Tung, Wendy Wan and Jaqueline Leung.
Always gorgeous wedding planner Michelle Li defied the dress code ("But it is still Dior darlin'!"). Marketeer Mara Ho-Tung, boutique owner Mira Yeh, and James Louey, of the Kowloon Motor Bus family, and his wife, Jane, were lost in the blinding daze of camera flashes.
Outside, the crowd screamed and strained to see Canto-pop diva Anita Mui Yim-fong, escorted by a casually dressed Nicholas Tse Ting-fung. Film-maker Tsui Hark, Dr Eden Woon yi-teng, Hong Kong General Chamber of Commerce chief executive, and singer william So Wing-hong followed on the red carpet.
After a tour of the 4,500-sq-ft boutique, guests were invited to the rooftop and soon after the first few rounds of champagne, a charity auction was held to raise money for Project Blossom, an organisation that benefits children of SARS victims.
A Hardcore Dior handbag was snapped up by new-in-town socialite Cecilia Ying for an easy $15,000 while Pansy Ho Chiu-king laid down $45,000 for limited-edition Dom Perignon champagne. Before the auction of the "Gwendolyn" ring (a white coral, diamond and pink sapphire-studded little number set in yellow gold), emcee for the night, Dior's PR king Peter Cheung, coaxed an almost-reluctant Mui on stage.
Notoriously shy off stage, she came alive under the spotlight, her coquettish poses with the ring catcalled and applauded. The ring finally raised HK$235,000 at the silent auction.
William So Wing-hong pitched in later with two songs for the 100 exclusive guests. "Canto-pop stars usually lip-sync their way on stage but this guy can sing," said a very surprised Lumen Man Leung-yan, who was dripping in diamonds and mingling with girlfriends while her husband was away.
Lesser mortals would have been happy with one event but the following night saw "Hardcore Dior," a hot and sweaty affair held at the same venue, at which the music was louder than the guests - all clearly in the mood to "part-ay"!
Korean actress Kim Hyun-ju, Malaysian R&B queen Ning Bazuira and Shanghai model Lu Yan added international flavour. Hari Harilela's granddaughter Nisha Parmanand arrived with model Anna Schoenberg while singer Miriam yeung Chin-wah, clothes-horse Kam Kwok-leung and actress Cecilia Yip Tung walked straight into the VIP area.

But not everyone was so lucky and some didn't make it past the bouncers. the dramatics that ensued were hysterical as some of the barred guests made a scene unworthy of more coverage.


Return to Vintage Form
Of all the events held recently, nothing was quite as scrumptious as Veuve Clicquot's launch of vintages, an evening celebrating the release of three new 1996 vintage reserves. Nine of Hong Kong's most adventurous celebrity chefs were invited to create meals to complement the drinks.

We saw Gary Cheuk of Solstice, Rajiv Singh Gulshan of Veda, Duyen Hackett of Song, Kinsen Kim of Yung kee, Eddy Leung of Poison Ivy, Tony leung Shu-wah of The China Club, Li Shu Tim of One Harbour Road, Paolo Monti of Gaia and Miyasako Yukihiro of san san Trois go wild with their woks... so to speak.
Seven of them held a live demonstration, preparing a dish for the 70-odd guests at the Hong Kong Hospitality Industry Training and Development Centre. Harry Hiranand was there with out his gorgeous wife, Shirley, who was out of town, and we saw Riche Monde's Frederic Dufour in conversation with Cindy Won of Yung Kee. Peter Wong from City magazine and Darren Chen from Tiffany & Co mulled around the Solstice table while Tiana Harilela and Bruno Yvon from Riche Monde were seen munching around Song.


South China Morning Post on Friday, June 13, 2003
Of all the events held recently, nothing was quite as scrumptious as Veuve Clicquot's launch of vintages, an evening celebrating the release of three new 1996 vintage reserves. Nine of Hong Kong's most adventurous celebrity chefs were invited to create meals to complement the drinks.

We saw Gary Cheuk of Solstice, Rajiv Singh Gulshan of Veda, Duyen Hackett of Song, Kinsen Kim of Yung kee, Eddy Leung of Poison Ivy, Tony leung Shu-wah of The China Club, Li Shu Tim of One Harbour Road, Paolo Monti of Gaia and Miyasako Yukihiro of san san Trois go wild with their woks... so to speak.
Seven of them held a live demonstration, preparing a dish for the 70-odd guests at the Hong Kong Hospitality Industry Training and Development Centre. Harry Hiranand was there with out his gorgeous wife, Shirley, who was out of town, and we saw Riche Monde's Frederic Dufour in conversation with Cindy Won of Yung Kee. Peter Wong from City magazine and Darren Chen from Tiffany & Co mulled around the Solstice table while Tiana Harilela and Bruno Yvon from Riche Monde were seen munching around Song.


South China Morning Post on Friday, June 13, 2003
Monday, 10 May 2010
Master's Stroke: Actor and Director Amol Palekar works with King Khan; Shahrukh Khan
Since his directorial debut in 1981, Indian filmmaker Amol Palekar has explored a range of offbeat themes on taboo topics. But his latest Bollywood-esque offering is a stark departure, writes P.Ramakrishnan. The role of an ordinary man caught in an unusual predicament made Indian actor Amol Palekar the king of middle-class comedies in the Hindi cinema of the 1970s. A bespectacled and soft-spoken actor, he never fitted Bollywood's model of a leading man, but the success of his musical comedies ensured a long career on screen.
Then, in 1981, he put acting behind him to direct Akriet (Misbegotten), a film that propelled Palekar onto the world stage when it won a special Jury award at the Nantes Third Film Festival in France.
"One tends to confuse me as an actor with the [real] person," says Palekar, 61, on the eve of the release of his latest film, Paheli (Puzzle). "All the credit goes to my directors, the best in the country, all of whom I worked with. I was a painter by profession, an actor by default and a director by choice. The movies I make are the ones I want to see."
In the 24 years since his first award as director, Palekar has shown his capability as a storyteller whose themes centre on sticky social issues few Indian filmmakers would dare to touch or deal with in Bollywood films. He has been lauded as the so-called king of the movie festival circuit and a doyen on the parallel cinema movement in India, referring to independent films far removed from the mainstream Bollywood blockbusters.
His directorial work - including Ankahee (The Unsaid, 1985), Bangarwardi (The Village has No Walls, 1995), Daayraa (The Square Circle, 1996), Dhyaans Parva (An Era of Yearning, 2001) - is miles away from the comedies in which he starred.
"I am greatly influenced by the filmmakers I worked with - how could I not be? I worked with the best in the industry. In fact, what the critics say about my film, what the journalists have to write in print doesn't concern me - but what my former directors think of it matters a lot more," says Palekar, who has won six National Awards in India in his nearly two-decade on-screen career.
As a filmmaker, Palekar has remained uncompromising in the visual impact of his works and his directing sensibilities. Such unfailing integrity is evident in a rumoured incident during his career.
A production company had approved Palekar's script, but days before production was scheduled to start he was pressured to make it more commercially viable. Having films made on sexuality, the plight of village women, transvestites and others who are on the fringes of society, the thought of splicing a chart-topping song into his script was anathema to the director so he found another producer.
But the mainstream has its place.
"There's a misconception that I don't enjoy your average Hindi film. It's tremendous fun to watch a mainstream movie in India - I have been part and parcel of it. But I would like to say certainly I am anti-mediocre cinema, bad cinema."
So what is bad cinema?
"That's fairly simple," he says. "The parameters of each and every film, the subject, the story, has its own demands. It chooses the language, the idiom. The story chooses the visuals, the textures and the sound.
"A Bollywood film is meant for pure entertainment - so it has its songs and dances. Once you choose those parameters, sincerity is its yardstick.
"You have to be true to the parameters that you have chosen. If there is a confusion in one's own mind, [coming] out of that insecurity, how can you try to say something that comes off in a jumble? A hodge-podge of here and there. That's bad cinema."
With a lineup of Bollywood's A-list names - Amitabh Bachchan, Shahrukh Khan and Rani Mukherjee - Palekar's latest film comes after a three-year gap and is a change in tack from his previous non-musical, non-star, low-budget efforts. Industry rumours say the combined budget of his past two films pales in comparison with the financing of the art direction alone in Paheli.
"I chose actors for the role, not stars. The stars in the film just happen to be the biggest in the country," says Palekar, who shot the film in just 45 days in an industry notorious for lengthy delays and year-long production hassles.
"When I first narrated a part to Shahrukh, he loved the script so much he said he wanted to produce the film. Each and every person we approached agreed immediately [because it was] based on Sandhya Gokhale's writing, and that script is the backbone of this film."
Palekar is reluctant to reveal many details about Paheli, which is based on Vijaydan Detha's version of a Rajasthani folktale of love. Detha's work entitled Duvidha, is about a woman named Lachchi (played by Mukherjee) who has an arranged marriage to a merchant she's never seen. On the way to her new home, the wedding party rests under a banyan tree haunted by a ghost (Khan) who falls in love with the young bride-to-be. On their wedding night, the groom leaves home on business and the ghost, disguised as her new husband, visits the bride. Years later, her real husband returns and Lachchi has a choice to make, but she is uncertain what she should do.
"The film's narrative is Indian to the core. We have oral history - stories that are retold over the years by a storyteller who doesn't pen it down on paper, but tells you the tale. A vocal narration of legend and history is our tradition. This movie is an Indian version of a once-upon-a-time fairy tale," says Palekar, who uses vibrant colours and the costumes of Jaipur to bring the ancient tale to life.
"It is set in the days of yore, we've shot in the most beautiful, palatial homes in Rajasthan, untouched by modernity. Thematically, it's layered on the plight of women. What choices do they have and people could just as easily relate it to contemporary women, not just in India, but everywhere in the world."
Without a chorus line of scantily clad women dancing to a pop-bhangra-techno beat, the question is will this village tale find box office success?
"The story, the cast and the acting of each person in the movie will bring in the audience. Rani's easily one of the best actresses in the country. Her past four films did brilliantly at the box office so there's that superstar element, but well before that I saw her as this great actress who I wanted in the title role of the film."
So why the sudden leap from the drama of his small-budget independent films to the choreographed magnitude of Bollywood?
"My process is very simple - when you read a lovely poem, and you love it so much, your first reaction is to share it with your dear ones and hope that they love it as much you did," Palekar says.
"The same kind of passion and love that I have for a story, I want to share it with everyone, with as many people as possible. This is my simple reason and simple process. Essentially, this is what most directors are - storytellers. I am very fortunate that the number of people listening to the story have been increasing with each film of mine."
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Sunday, 9 May 2010
Just Good Friends: Relationship Column in SCMP: The perils of being Friendzoned
Can platonic relations exist between men and women in Hong Kong? P.Ramakrishnan asks the happy hour hip crowd.
Brad Pitt says he's just good friends with his Mr and Mrs Smith co-star, Angelina Jolie. But some people wonder whether a platonic, non-sexual relationship is possible between a man and a woman.
Hong Kong's bars teem with people who claim to be just good friends - pals who share cocktails and company and nothing more. Or are they?
Blonde, blue-eyed Amber sits with a group of men and women in Red, a bar in the IFC Mall.
"Of course, a guy and a girl can be just good friends," the 30-year-old artist manager says, "When I first came to Hong Kong, I knew two people. Going around town, I was just happy to make a friend, irrespective of their gender, which many new expats feel, I'm sure.
"Everyone's sort of trying to find friends," she says. "You get the instant common denominator. You're in a different city, you've got an interest in Asia. You're living abroad. It's really hard to find really close friends. In turn, some of them become your family. Your little tribe.
"I would rather be in that tribe and know that I'll always have that friend than date them and, if I went horribly wrong, lose the friendship over it. It's difficult to continue being friends after things have gone sour while dating."
Amber says "It is just not there" with some men, no matter how attractive they may be. "A few years ago, there was this guy who lived across from my flat and we were both single," she says. "We were friends. We'd order in on Sundays and watch a movie. There was a mild attraction, but we never crossed a line. I don't have any brothers, just a sister. Growing up, we just had friends who were guys and nothing more.
"I don't think I'd date a guy who didn't have any friends who were girls."
Amber says that some younger, more immature guys think they can't be friends with girls. "Once they grow up and are more relaxed in the other's company, they'll recognise that of course you can be friends," she says. "To me, it's a sign of a mature, sensitive and sensible person."
Michelle agrees. The thirty something company boss says she has a close-knit circle of friends, some of whom are men.
"One of my friends, who's a lawyer, makes good money, works out quite a bit, has his own place - everything's right on paper," she says. "But there were no sparks when we met. He was good-looking, but not my type. He was a nice guy. The more I got to know him, the more I realised he's a sweet person."
Michelle says she talks about everything with her male lawyer friend. "We're into arts, so we talk about that," she says. "He's into property and I'm into property. Now I'm married and he's hooked up with my husband, too, and they go to the rugby Sevens and get drunk together."
Sharon Glick, a relationship expert at St John's Cathedral counselling service, has seen many couples who fall out over platonic friendships.
She says straight men and straight women can be platonic friends. "But underneath it all, there'll be an attraction," she says. "This includes samme-gender friends."
All relationships have some spark of attraction, she says. "And attraction can certainly have a sexual edge," Glick says. "That doesn't mean you have to act on it. It includes relationships with the same gender. If you said that to your average homophobic guy, he'd be in complete denial. Those who are more secure will be aware of that."
So, does this mean that there's an un-acted-on spark among beer buddies at the Sevens? "I use the word 'attraction' in its basic sense, as opposed to repulsion," says Glick. "Not the full-blown erotic attraction. Take it from Sigmund Freud and his concept of the 'ero's. It's positive feelings, the warm feelings, the warm colours, the feeling of attraction. Platonic love is a concept of ero's."
If someone looked like Quasimodo and drooled at the table, they'd find it difficult to have friends, irrespective of the gender, Glick says. "Repulsion springs from different areas, and it can have nothing to do with looks. Sean connery is physically an attractive man. But he is also misogynistic. He talks about how women should be slapped occasionally, and that makes him horrifically unattractive. Similarly, you'll find two good looking people who are just friends and nothing more for myriad reasons."
However, experts warn that even platonic friendships can cause problems for relationships and marriages - especially if the pals form an emotional bond and start to share secrets, hopes and dreams with each other rather than with their partners.
In Lan Kwai Fong, Anghard says looks have little to do with her platonic friendships. "Some ignite my 'want to be his sister' sort of feelings, and the movie buddy list," she says. "I met a guy not too long ago - tall blond and an ex-model. And he'd be great boyfriend material - in a photograph. But only in a picture. He just wasn't my type. I just couldn't talk to him after a certain point and there was no attraction."
James agrees with the chorus of women - perhaps because he's out numbered. "I believe men and women can be friends, but that takes a conscious decision to be so on both sides," the advertising executive says. "It also takes unspoken rules of behaviour. I guess there's always going to be the potential for something sexual to happen."
Diamond dealer Jin throws in a gem of his own. "Of course, I have girls who are just friends and nothing more," the 25-year-old says, "They're fat."
An ice cube bounces off his forehead. The women groan.
'YOU WANT TO NAIL THEM, TOO'

In the movie When Harry Met Sally, Billy Crystal (Harry) and Meg Ryan (Sally) discuss whether men and women can be just friends.
Harry: You realise of course that we could never be friends.
Sally: Why not?
Harry: What I'm saying is - and this is not a come-on in any way, shape or form - is that men and women can't be friends because the sex part always gets in the way.
Sally: That's not true. I have a number of men friends and there is no sex involved.
Harry: No you don't.
Sally: Yes I do.
Harry: No you don't.
Sally: Yes I do.
Harry: You only think you do.
Sally: You say I'm having sex with these men without my knowledge?
Harry: No, what I'm saying is they all want to have sex with you.
Sally: They do not.
Harry: Do too.
Sally: They do not.
Harry: Do too.
Sally: How do you know?
Harry: Because no man can be friends with a woman that he finds attractive. He always wants to have sex with her.
Sally: So, you're saying that a man can be friends with a woman he finds unattractive?
Harry: No. You pretty much want to nail them, too.
Brad Pitt says he's just good friends with his Mr and Mrs Smith co-star, Angelina Jolie. But some people wonder whether a platonic, non-sexual relationship is possible between a man and a woman.
Hong Kong's bars teem with people who claim to be just good friends - pals who share cocktails and company and nothing more. Or are they?
Blonde, blue-eyed Amber sits with a group of men and women in Red, a bar in the IFC Mall.
"Of course, a guy and a girl can be just good friends," the 30-year-old artist manager says, "When I first came to Hong Kong, I knew two people. Going around town, I was just happy to make a friend, irrespective of their gender, which many new expats feel, I'm sure.
"Everyone's sort of trying to find friends," she says. "You get the instant common denominator. You're in a different city, you've got an interest in Asia. You're living abroad. It's really hard to find really close friends. In turn, some of them become your family. Your little tribe.
"I would rather be in that tribe and know that I'll always have that friend than date them and, if I went horribly wrong, lose the friendship over it. It's difficult to continue being friends after things have gone sour while dating."
Amber says "It is just not there" with some men, no matter how attractive they may be. "A few years ago, there was this guy who lived across from my flat and we were both single," she says. "We were friends. We'd order in on Sundays and watch a movie. There was a mild attraction, but we never crossed a line. I don't have any brothers, just a sister. Growing up, we just had friends who were guys and nothing more.
"I don't think I'd date a guy who didn't have any friends who were girls."
Amber says that some younger, more immature guys think they can't be friends with girls. "Once they grow up and are more relaxed in the other's company, they'll recognise that of course you can be friends," she says. "To me, it's a sign of a mature, sensitive and sensible person."
Michelle agrees. The thirty something company boss says she has a close-knit circle of friends, some of whom are men.
"One of my friends, who's a lawyer, makes good money, works out quite a bit, has his own place - everything's right on paper," she says. "But there were no sparks when we met. He was good-looking, but not my type. He was a nice guy. The more I got to know him, the more I realised he's a sweet person."
Michelle says she talks about everything with her male lawyer friend. "We're into arts, so we talk about that," she says. "He's into property and I'm into property. Now I'm married and he's hooked up with my husband, too, and they go to the rugby Sevens and get drunk together."
Sharon Glick, a relationship expert at St John's Cathedral counselling service, has seen many couples who fall out over platonic friendships.
She says straight men and straight women can be platonic friends. "But underneath it all, there'll be an attraction," she says. "This includes samme-gender friends."
All relationships have some spark of attraction, she says. "And attraction can certainly have a sexual edge," Glick says. "That doesn't mean you have to act on it. It includes relationships with the same gender. If you said that to your average homophobic guy, he'd be in complete denial. Those who are more secure will be aware of that."
So, does this mean that there's an un-acted-on spark among beer buddies at the Sevens? "I use the word 'attraction' in its basic sense, as opposed to repulsion," says Glick. "Not the full-blown erotic attraction. Take it from Sigmund Freud and his concept of the 'ero's. It's positive feelings, the warm feelings, the warm colours, the feeling of attraction. Platonic love is a concept of ero's."
If someone looked like Quasimodo and drooled at the table, they'd find it difficult to have friends, irrespective of the gender, Glick says. "Repulsion springs from different areas, and it can have nothing to do with looks. Sean connery is physically an attractive man. But he is also misogynistic. He talks about how women should be slapped occasionally, and that makes him horrifically unattractive. Similarly, you'll find two good looking people who are just friends and nothing more for myriad reasons."
However, experts warn that even platonic friendships can cause problems for relationships and marriages - especially if the pals form an emotional bond and start to share secrets, hopes and dreams with each other rather than with their partners.
In Lan Kwai Fong, Anghard says looks have little to do with her platonic friendships. "Some ignite my 'want to be his sister' sort of feelings, and the movie buddy list," she says. "I met a guy not too long ago - tall blond and an ex-model. And he'd be great boyfriend material - in a photograph. But only in a picture. He just wasn't my type. I just couldn't talk to him after a certain point and there was no attraction."
James agrees with the chorus of women - perhaps because he's out numbered. "I believe men and women can be friends, but that takes a conscious decision to be so on both sides," the advertising executive says. "It also takes unspoken rules of behaviour. I guess there's always going to be the potential for something sexual to happen."
Diamond dealer Jin throws in a gem of his own. "Of course, I have girls who are just friends and nothing more," the 25-year-old says, "They're fat."
An ice cube bounces off his forehead. The women groan.
'YOU WANT TO NAIL THEM, TOO'

In the movie When Harry Met Sally, Billy Crystal (Harry) and Meg Ryan (Sally) discuss whether men and women can be just friends.
Harry: You realise of course that we could never be friends.
Sally: Why not?
Harry: What I'm saying is - and this is not a come-on in any way, shape or form - is that men and women can't be friends because the sex part always gets in the way.
Sally: That's not true. I have a number of men friends and there is no sex involved.
Harry: No you don't.
Sally: Yes I do.
Harry: No you don't.
Sally: Yes I do.
Harry: You only think you do.
Sally: You say I'm having sex with these men without my knowledge?
Harry: No, what I'm saying is they all want to have sex with you.
Sally: They do not.
Harry: Do too.
Sally: They do not.
Harry: Do too.
Sally: How do you know?
Harry: Because no man can be friends with a woman that he finds attractive. He always wants to have sex with her.
Sally: So, you're saying that a man can be friends with a woman he finds unattractive?
Harry: No. You pretty much want to nail them, too.
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Friday, 7 May 2010
The Reach of Khan: Shahrukh Khan's interview in Hong Kong: SRK is back. Again
Shahrukh Khan can't sing or dance [says he] but billions of swooning fans couldn't care less, writes P.Ramakrishnan.
Shahrukh Khan was an up-and-coming actor when he first performed in Hong Kong in 1993, having just shifted from New Delhi to the Bollywood capital of Mumbai.
With just three films under his belt, he was nowhere near the main attraction in the Indian musical troupe that took the stage at Queen Elizabeth Stadium - actress Jaya Prada, a star dancer/actress of the 1980s, was far bigger news back then. He wasn't even the second attraction.
Fast forward 11 years and Khan, 39, has earned the sobriquet "King of Bollywood" from the media at large. Forty two films, 10 of the biggest blockbusters of Indian cinema and innumerable awards, King Khan is Maidas incarnate, with a box office smash every year in the past decade. His latest film, Veer Zara, is now ruling the Indian box office and is No 4 in Britain's top 10.
But what are his memories of our shores? "I don't remember much about my last visit to Hong Kong - it was a long, long time ago and I've done so many shows over the years around the world, but I do remember landing Kai Tak - that was very exciting. And the auditorium where we performed, I had to win over the crowd as I was still pretty new."
This year, the battle is all but won. Last month the Asian edition of TIME magazine described Khan as the most famous actor alive - Bollywood's reach being 3.6 billion to Hollywood's 2.6 billion.
"Before a show, I am quiet for a minute or two, settling down. I don't get too nervous because I've done enough shows to know better. If you goof up, you goof up and it's happened many times. It's the imperfections that make a show memorable and fun. Enjoy the moment and move on," Khan says, as he prepares for a pan-Asia tour of the Temptation show in which he stars with a host of other Indian celebrities, including Saif Ali Khan, Preity Zinta, Zayed Khan, former Miss India Celina Jaitley and super model Malaika Arora-Khan.
Khan doesn't sing ("I am tone deaf") and doesn't enjoy dancing ("I do what I can, but I'm no John Travolta"), but he has to be seen to be believed. With a background of dozens of perfectly choreographed dancers, he re-enacts scenes and lip-syncs songs from his most successful movies. DVDs of his concerts in Britain and the US show Beatles-like mania with audiences lunging towards the stage as he throws out autographed T-shirts and stuffed toys.
The BBC has extensively covered Khan over the years and part of last year's Edinburgh International Film Festival focused on his epic on-screen romances. Then there's a temple some hardcore fans have built to him in India. "I don't know why I'm loved, but I'm conscious of it and forever humbled. I think there are better actors, better-looking heroes in India," says Khan. "I'm aware that it means they've liked the characters I play - if they met me in person, they'd find me rather boring. It makes me want to work harder, make better films."
For the non-Bollywood audience, Khan explains the vast productions and their indefatigable appeal: "The west has rock concerts, we have musicals. It's a 70-year-plus tradition and unlike any other country in the world. It works better than Hollywood. It's our method of story telling and it's no better or worse than other forms of entertainment. We have to entertain more than a billion people and catering to that mass number means the guy from Assam to the NRI [non-resident Indian] in Jersey has to enjoy the film."
Khan starred in Devdas, which premiered at Cannes in 2002, but says he's never had to defend Hindi cinems before the legions of foreign press. "I've never had to justify a film - regardless of whether I am hanging from a helicopter or dancing on top of a mountain, our style has survived Hollywood.
"It's very colourful, it's very loud, but then, that's our culture of cinema and we have to be proud of it. It may seem silly, but love it or leave it."
Even if that means sacrificing a global audience, which may not be used to someone breaking into song at the drop of a turban? "To a certain extent, changes in Bollywood are inevitable," Khan says, "but I assure you that of 800 films made, only 200 or 300 wiil be non-musicals in the future. We'll always have the tradition of song and dance as that's inherent to us. Why make a Hong Kong film with no action, no Kung Fu, no marital arts? That's why I want to watch those films, not because they're copies of western cinema. Why change Hindi films with their heritage?"
It's easy to see why Khan wouldn't want to change a formula that's clearly worked well for him in the past, earning him five Filmfare awards (the Indian equivalent of the Oscars) in a row between 1992 and 1995 and picking up his seventh trophy last year.
"I've been a sportsman all my life so mentally, the way I see it I've entertained so many people and [the awards] are their way of letting me know their appreciation. I still get excited about the ceremony, what my colleagues say about me and their kind gestures still matter to me," he says without false modesty.
"Achieving success is easy, sustaining it isn't. The process of film making is more exciting than the product. Once the film is done, released, it's in God's hands," he says.
"When I look back on films, I don't reflect on how well they did, whether or not I enjoyed making the film. For me, bad working conditions on a successful film makes the movie forgettable."
Despite the success, Khan says he doesn't have his sights set on Hollywood. "It is not like Steven Spielberg or [Steven] Soderbergh are waiting in Hollywood with a script in hand for me. I'm very happy where I am, with the films I do, with the people I work with. My dream is to be a part of a film that will be seen the world over - an Indian film."
Monday, 3 May 2010
To Serve & Protect: The Bodyguard Business: Signal 8 in Hong Kong
Hong Kong holds the world record for the largest clutch of millionaires per square mile - that's more than New York, Hollywood or Tokyo. Not even the Oligarchs in Russia have as much currency floating around. This makes some heads of companies, bankers, and especially billionaires, prime targets for unscrupulous minds. It's also a capital city for frequent celebrity drop-ins, which makes the folks at Signal 8 Security the most wanted in the business. P.Ramakrishnan catches them off duty.
All photos by William Furniss.
It was the look of inebriated frenzy in their eyes that was the first warning signal. As Mischa Barton, the teen-something breakout star of the smash hit television series The OC strutted into a club in Hong Kong just after midnight, clad in her Dior finery, even certain virtually comatose socialites were clamoring to get a picture with the star. Two guys in particular were a little too determined to get a snap with the Hollywood princess but when Kim-Maree Penn, Co-Founder and partner of Signal 8 security saw that they were starting to bother her client, the one she was hired to protect and preserve, she first had a subtle word with them.
"I simply suggested that they calm down. We don't do confrontation and physical altercations are, believe it or not, quite rare," she says, analysing the situation. "We didn't want to embarrass him or the client, and we're not only safeguarding their lives, but also their image. Now I knew the boys weren't serious security threat to Mischa, but she was getting irritated. When they tried to overstep the line for the third time, well, they were taken care of."
One imagines two burly guys taking them round the back to deal with the offending individuals, but no such Soprano style undertaking ensued. "They were taken firmly by the arm, escorted out of the private room, and blocked from entering the party," clarifies Penn.
No fist-cuffs, no bloodshed and more importantly, no ugly scene in the tabloids the following day. It's all tied up neatly in a bow when the team of Signal 8 Security cover an event.
As Hong Kong's premier security company celebrates its 15th Anniversary this year, we sat with Penn and her business partner and professional bodyguard Bruce McLaren after a dozen celebrities had landed and departed Hong Kong in as many months, many of whom were under the protection of this powerful team.
For those who don't read text online and just look at the pretty pictures, the official website for Signal 8 Security looks like a celebrity fan site, as images of Sting, J.Lo, Norah Jones, Mariah Carey, Cindy Crawford and a host of other Hollywood A-listers appear in moving gifs. But it isn't a pictorial celebrating those who frequent the pages of People magazine, it's a showcase for the high level of security and bodyguard-ing services provided by the excellent team of professional, trained personnel who put the safety of their A-list clients above their own.
Before you read further, I must confess, meeting the top tier bodyguards of the famed and fortuned, is more low-key than I expected. No offence to the striking Kim-Maree Penn or Bruce McLaren. The preconceived notion floating in my mind is one of the camouflaged tactical ninjas with urgent tendencies to scissor into the air when threatened. One imagines slow motion captures of hair swishing mid-air, mid-action as they pounce on their client to take a bullet, only to survive as Whitney Houston sings in the background... You know, like in the movies.
Dressed as normal people and as a matter-of-fact as they are about their sometimes death-defying work, they seem determined to burst every bubble and explode every myth, courtesy of some very cheesy Hollywood movies. As Penn says, "Hollywood is just an illusion of competence."
Think Clint Eastwood in the In The Line of Fire or Whitney Houston's protector/lover Kevin Costner in The Bodyguard. Constantly talking to their tiny microphones in their wrists, perpetually clad in Ray-Bans (day or night), in slick black suits, capturing all with their unblinking eyes, the normalcy
of the duo is ruining the romance of taking a hit.


When told, they just roll their eyes and laugh, "There are so many mistakes in The Bodyguard, I don't even know where to begin," says McLaren in his discernible Scottish brogue. "Even in the opening scene, he's using one hand to pin the guy to the ground, and shooting with the other. Why not just kneel on him and use two hands for an accurate shot?"
"We also make it imperative that you don't physically touch the celebrities we work with," says the glamorous Penn in the same vein of disbelief at the inaccuracies of the US$100 million movie. "Costner was feeling up the singer throughout - tsk tsk tsk. You have to keep a professional distance. In a hostile situation, you've got to get them out and let the client know of the urgency, otherwise, you wouldn't touch them, so when you do finally grab an arm, then they know it's serious and will act accordingly."
Sure, but the romance of the film would have perhaps been been killed off, hence the cinematic licence to "feel up" the 'Queen of the night'.
"But even the basic routines were off the mark," voices Mclaren in displeasure. "In high risk situations, they only show two guys - one of whom isn't even qualified to be a bodyguard. Besides, if she's supposed to play the part of a multi-millionaire,
get more bodyguards!"
As protector of the faith, Faith Hill that is, the security people's job isn't just to knock off the paparazzi and take the bullet while running beside Presidential cars. For one, they would never have to guard a President or Royal as someone else already has that job.
"Bill Clinton, like all former Presidents, has the Secret Service with him constantly, so we were just on the perimeter when he was in Hong Kong," says McLaren. "But the Vice President only gets a short period of security after his term, and from then on he has to pay for it himself. So when Al Gore was here (promoting his film An Inconvenient Truth), we did sit outside his room for hours. Nothing major happened. Most of the time Hong Kong is a safe city and life threatening occurrences are, fortunately, rare."
Working with celebrities however, can get out of hand as their lives might not be in danger but there's no trusting the quixotic nature of a crazed fan either. "When we took Arnold Schwarzenegger to Stanley market, he was wearing a Hawaiian shirt and smoking a cigar, it took people less than half a second to realise who he was," says McLaren, who walked with the 6'2 unmistakable Governor of California. "It was a narrow street, with lanes everywhere and with only two bodyguards it was very, very difficult to control. There wasn't a threat to his life, but it was basically problematic with overzealous fans. Mind you, he did love the attention."
In near perfect synchronicity, Penn caught the end of McLaren's sentence to say, "There are always unforeseeable occurrences, a lift breaks down when you are in it with an actress, there is a power failure at a venue, or a fight at a nearby table rears up - you may have nothing to do with it, but it spills over and you have to know how to get away from a location fast."
Safeguarding not just the lives of their clients, but also how they are perceived, the two quote the recent mishaps when Angelina Jolie went to shoot a film in India. Her bodyguards got into a scuffle with the parents of a school as shooting for A Mighty Heart got disrupted. The actress visited Anjuman-E-Isslam school, at the same time that the students were about to leave. Chaos ensued among the paparazzi, the parents and the children. The scuffle between Jolie's own bodyguard and a reporter in Pune was caught on tape for all to see.
"When we do a bodyguard course the last thing we teach is Close Quarter Battle (CQB) because if you do everything else right, you shouldn't get to the stage where you're punching and kicking and rolling around the floor biting somebody," says McLaren. "We avoid physical sparring, and confrontation is always, always the last resort," nods Penn.
As the event made CNN, it cast the couple in poor light in the host country. In a typical act of celebrity spin, 'Brangelina' had to appear on camera to apologise to the people as they were shown travelling around the city in an Indian auto-rickshas, mingling with locals. "Again, a huge mistake. The open sides of the vehicle just laid the couple and their son open to the elements," says Penn. "I understood it from a PR point of view, but it wasn't safe."


The two professionals also cast doubt on the guards hired to protect and serve the golden couple. "Many people that hire bodyguards don't bother checking to see if they are qualified to do what they're doing. The job is all about preparation and planning. If a couple hires a nanny for their kids, they would do a background check. They want to make sure the woman isn't a deranged, psycho killer. Similarly, you should vet your bodyguards too because they are privileged to incredibly sensitive and confidential information," says McLaren.
Penn speaks about the importance of having principles too, "Bodyguarding is a skill and you have to have ethics. There are so many things that we see, that we overhear when we're travelling in a limousine with a celebrity and there are people who will sell it to the National Enquirer. People can make millions for a scandalous story."
"We've seen clients in... well, how can I put this?" pauses Penn, looking at her partner with a furrowed brow. McLaren zips in with a quick retort, "Compromising situations?"
"Yes, that's it," she says as we all laugh. "We've caught clients in compromising situations and all it would take is a quick snap of a camera phone to pocket millions. But, we've got ethics in place. Without integrity, this type of business can go under in a flash."
A reputation is priceless as the company is world-renowned and the team is well respected within the celebrity circuit, all the staff of Signal 8 Security have maintained decorum even during the most tempting times. "We have a strong screening process," emphasizes McLaren, who like Penn, is a member of the American Society for Industrial Security, a qualified instructor of Defense and Restraint Tactics (D.A.R.T) and a firearms instructor with (I.L.E.T.A).
"We do a personality profile on staff. Are they trigger happy? Are they there to make friends with the stars and then harass them? Are they in it to be famous themselves? You have to be very careful."
In his role as a protector, McLaren has also been involved in grave situations such as foiling kidnapping and preventing other heinous crimes,
"There was a kidnapping/ransom situation that was about to happen and we were on hold for about six weeks. It was a mainland Chinese kidnapping. We got two days notice to get everything set; we organised cars, routes, logistics. A lot of the time there is concern that although the ransom is paid, the person could be suddenly grabbed again."
Between the dramatic moments, there's a lot of waiting around, working long shifts for things to unfold. But the long gaps do give them time to map out worst-case scenarios.
"We had to organise a system where we would get the kidnapped person away from the situation as soon as the ransom was paid. He would literally be stripped naked in the car, his clothes would be bundled up and shoved in another car, and he'd be driven off in a fresh set of clothes, just in case there was anything on him that was a tracking device. We have routes worked out, and a safe place to take him to."
As three of the world's wealthiest billionaires hopscotch around Hong Kong, the company must be constantly booked by the Li-Ka Shings of the world one presumes. But they're not. "We have worked with a few businessmen. They will have incredible amounts of money but will not pay for trained, professional bodyguards. A lot of people have the misconception that because you're a black belt, you're automatically a good bodyguard. Or they just go for numbers - get five untrained men to just stand around them - what good is that? In Hong Kong, you can get your basic security permit, a 16-hour course that tells your basically how to put your uniform on. Which basically means a 70-year old granny could have one and say she's a bodyguard." says McLaren.
"There's much more to it than being a stereotypical bouncer standing in front of a star. From the threat analysis to risk resolution, there's a procedure to be followed," says Penn.
While she maintains her stance at all times, in a rare twist of scenario, when she was walking down the street in Los Angeles, Drew Barrymore came chasing after her once, screaming out a name. "She's in love with Sydney," she says with a laugh. "No-one recognises me, but Drew and Britney Murphy love my 115-pound dog who gets a lot more attention than I do. But anyway, the whole point of being a bodyguard is to be seen, but not noticed."
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