PERHAPS IT WAS his time spent in the Indian city of
Dharamshala, where the exiled Dalai Lama and thousands of his Tibetan
followers have set up monasteries and temples, that brought a hint of
spirituality to Mohit Chauhan’s mellifluous voice.
It’s a voice that has been heard in many Bollywood films, and one
that will be heard in Hong Kong when Chauhan performs a one-off concert
on May 10, coming after he won practically every award possible for his
playback singing (recording songs for soundtracks that are lipsynched by
actors in the actual film) in the 2011 film
Rockstar.
However, it isn’t the rock anthems that have won him the accolades,
it is the spiritual
sufi (mystical) numbers that climbed the charts and
struck a chord with music lovers throughout the Indian subcontinent.
“Like Rahman [the Oscar-winning A.R. Rahman, who composed the songs
in
Rockstar], I love singing spiritual songs, something that has
meaning, a lyrical soul,” the singer says from his home in Mumbai. “I
started singing for him just a few years ago and we gelled on those
songs. He gives such freedom to his singers – which is why musicians
love him. And I love singing his numbers as you can let go and sing your
heart out on stage.”
The man seen on stage in his younger days bears little resemblance to
the confident star in a black hat and leather jacket who appears under
the spotlights today. Chauhan confesses that he did a bit of theatre
while studying and sang a bit during his mullet-haired, rock
T-shirt-wearing days at college, but nothing too serious.
He and a close group of friend
s would perform in whatever venues they
could find around Dharamsala, singing and strumming along as their
voices would reverberate around the valleys.
It paid off well. Chauhan’s range is indeed as wide as those hills, and
his vast repertoire encompasses everything from classical, pop and
fusion, along with the romantic ballads that are Bollywood staples. The
soft-spoken singer confesses that unlike many of his contemporaries, he
was entirely self-taught.
“Fortunately – or unfortunately – I had no formal training in music,”
he says. “But it’s always been a part of me. I have always sung for
myself. It never occurred to me to become a professional musician. I
studied science and did my masters in geology. I wanted to join the
civil service or the Indian army – I even trained for that – but not for
singing on stage.”
He may be selling out concert halls these days, but for many years he
often faced empty auditoriums where he and his posse rehearsed. “Our
criteria was how good the sound was – it had to have a hint of echo –
and we’d play anywhere. There weren’t many, if any, professional places
where we could sing. I come from a beautiful, small state where it’s all
about nature. We had no money, maybe just enough to pay the rent, but
when you’re stringing along with your bros, that’s freedom,” he says.
These days, Chauhan is too busy to sing with many of the other
performers he admires. “I love to sing with others – but most of my
duets are recorded separately, and often in separate places. Everything
is brought together by technology. So when I hit the stage with another
female singer, for example, sometimes it’s the first time I have met
them in person,” he says with a laugh.
While he is well aware that he has a loyal following among the young
indie-Hindi-pop crowd, Chauhan himself prefers to listen to singers from
the 1960s and ‘70s. “As any Indian male singer will tell you, the love
we have for Kishore Kumar [the iconic playback singer who died in 1987]
borders on worship. The man had unbelievable range – he did soft
numbers, rock, anthems; he acted, he produced … he rocked the stage.”
And this is perhaps what the next generation will be saying about Chauhan in years to come.
Mohit Chauhan, May 10, 7.30pm, Kitec, 1Trademart Drive, Kowloon Bay, HK$288- HK$1,500, HK Ticketing. Inquiries: 3128 8288
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