Astone set into a case is not, by definition, an act of engineering. At Richard Mille, it has become exactly that.
For two decades, the maison has treated gem-setting not as a finishing touch but as a discipline requiring the same rigour as calibre architecture. The journey began in 2005 with the RM 007, the brand’s first sustained exploration of bead setting and invisible techniques. What followed was less a trend than a methodology: stones reimagined as structural and expressive elements, deployed with the same tolerances demanded of a movement’s gear train.
Read the full feature at PrestigeOnline

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