How To Navigate Hong Kong Like A Billionaire: Things To Know Before You Go

The rules of engagement for those who require the finest of everything — and know exactly how to find it.

There is a particular kind of city that understands money without being embarrassed by it. Not the brash, neon-soaked ambition of a city still proving itself, nor the studied indifference of one that has forgotten what hunger feels like. Hong Kong is something rarer: a metropolis that has spent nearly two centuries perfecting the art of making the ultra-wealthy feel not merely accommodated, but understood.

Read the entire feature here at RobbReport.in

NOTES:

My first feature for Robb Report India!

Runway cover shoot outtakes: Taner S

Taner S, (Agency Model One in Hong Kong) in one of a dozen shoots.

As budgets dwindled, ended up doing this shoot in my then living room. My usual dream team behind the scenes, Karen, Tasha, etc.  

Taner from Turkey is the most successful male model strutting around the island (he's also a DJ now) and shows no signs of slowing down with 20+ years in the biz.  For an advertorial, had to create a deck and pitch the man to an advertising client - so you can read up on him here.

 

Oh Calcutta!

 

Sometimes the simplest shot, can simply be the greatest.

Outfit Nikhil Thampi. 

Bao Bao Wan: Designer, Socialite, and Globe-Trotting Fashionista

Over the years covering Society in Hong Kong, have run into the petite and precious Bao Bao Wan several times and been amazed at her personal style, sartorial selects and the dazzling - and more importantly - unique jewellery. Mustered up some courage to go up and chat with her and she informed  me that most of her accessories were her own creation. Even in this above pic of what looks like the silhouette of a classic 'jhumka'. But its not. More of a flat inlay than the traditional, Indian bulbous silhouette, the designer created a gemstone studded accessory to accentuate her perfect profile. 

In fact, a profile of Bao Bao is the need of the hour. For the new viewers, Bao Bao Wan (Wan Baobao or Wan Yingnü), born in Beijing around 1981, is a prominent Chinese jewelry designer, socialite, and international style icon. As the granddaughter of Wan Li - former Vice Premier and Chairman of the National People’s Congress - she grew up in the privileged yet sheltered confines of Zhongnanhai, the elite government compound in Beijing. This “red princess” background provided cultural depth but also fueled her desire for independence.

At 16, she left China for the United States, studying at The Masters School in New York and later pursuing photography and French literature at Sarah Lawrence College. She apprenticed with photographer Joel Sternfeld and spent time in Paris deepening her French studies and artistic sensibilities. These experiences profoundly shaped her creative voice, blending Western artistry with Chinese heritage. In 2006–2007, she earned her GIA Graduate Gemologist diploma in Hong Kong and founded Bao Bao Wan Fine Jewelry.

Her designs are whimsical, narrative-driven, and deeply personal. Collections draw from childhood memories - pagodas where she played, bicycles on Tiananmen Square, pandas, ink brushes, and butterflies - fusing traditional Chinese motifs (treasure vases, architecture, nature) with contemporary flair. Fine jewelry lines feature high-end diamonds, pearls, and gemstones, while the accessible “And The Little Ones” series offers playful diamond pavé pendants (cameras, owls, sweets) ideal for everyday wear. Pieces like those in the “China” and “Bon Bon” collections freeze moments of emotion, nostalgia, and motion, reflecting her reaction to China’s rapid change. Her work is stocked at Lane Crawford, Harrods, and matchesfashion.com.

As a globe-trotting fashionista, Bao Bao Wan is a fixture on the international scene. She was the first Chinese debutante at Le Bal des Débutantes in Paris (2003), attends Met Gala, Paris Fashion Week (often front-row), and jet-sets between Beijing, Hong Kong (her business base), New York, Paris, and beyond. Her eclectic personal style shifts effortlessly - from red-carpet glamour to casual sporty looks—embodying a modern, liberated Chinese woman.

With over a million Weibo followers, collaborations (YOOX, St. Regis as its first Chinese Connoisseur, Swarovski), and celebrity fans, Bao Bao Wan represents the gilded fusion of legacy, creativity, and global sophistication. Her bespoke jewelry doesn’t just adorn - it tells stories of identity, beauty, and cultural pride. Standing out is easy when you're born with pulchritude and a visage meant to be photographed, but its the curated glimmer of her rare and precious accessories that makes her stand out even in the dark. 

多年來在香港報導社交界新聞，曾數次偶遇嬌小玲瓏的萬寶寶（Bao Bao Wan）。每一次，我都對她獨到的個人品味、著裝選擇，以及那些閃爍耀眼且絕不雷同的獨特珠寶驚嘆不已。我鼓起勇氣上前與她交談，她告訴我，身上佩戴的大部分飾品都是她自己的創作。即使在上方這張照片中，那看似經典印度「Jhumka」耳環的剪影，其實也另有乾坤——比起傳統印度圓潤飽滿的輪廓，它更偏向扁平的鑲嵌設計。這位設計師以鑲嵌寶石的飾品，完美襯托出她無可挑剔的側面線條。

事實上，現在正需要好好介紹一下萬寶寶。對於新讀者來說，萬寶寶（又名萬瀛女）約於1981年生於北京，是著名的中國珠寶設計師、名媛及國際時尚指標。作為前國務院副總理及全國人大常委會委員長萬里的孫女，她在北京中南海這一頂級政府大院的優渥環境中長大。這種「紅三代」背景賦予她深厚的文化底蘊，同時也激發了她對獨立的渴望。16歲時，她離開中國赴美求學，先後就讀於紐約女子中學 The Masters School，以及在 Sarah Lawrence College 修讀攝影與法國文學。她曾跟隨攝影師 Joel Sternfeld 實習，並曾在巴黎深造法文與藝術薰陶。這些經歷深刻塑造了她的創作風格，將西方藝術感與中國傳統底蘊融為一路。2006至2007年間，她在香港考取 GIA 寶石學家文憑，並創立了同名高級珠寶品牌 Bao Bao Wan Fine Jewelry。

她的設計充滿童趣、故事性，且帶有濃厚的個人色彩。系列作品靈感多源自童年記憶——小時候玩耍的亭台樓閣、天安門廣場上的單車、熊貓、毛筆及蝴蝶——將傳統中國意象（寶瓶、建築、自然）與現代美學完美結合。高級珠寶系列採用頂級鑽石、珍珠及彩色寶石，而親民的「And The Little Ones」系列則推出相機、貓頭鷹、糖果等趣味十足的鋪鑲鑽石吊墜，非常適合日常佩戴。如「China」和「Bon Bon」等系列作品，定格了情感、懷舊與動態的瞬間，反映了她對中國急速變遷的感悟。她的作品曾在連卡佛（Lane Crawford）、Harrods 及 matchesfashion.com 等知名平台發售。

作為穿梭全球的時尚達人，萬寶寶是國際社交舞台上的常客。她是首位獲邀參加巴黎克利翁名媛舞會（Le Bal des Débutantes，2003年）的中國名媛，經常出席 Met Gala、巴黎時裝周（常坐前排），並頻繁往來於北京、香港（其業務基地）、紐約、巴黎等地。她多元化的個人風格切換自如——從紅地氈的華麗造型到休閒運動風，展現出現代解放女性的獨特魅力。

萬寶寶在微博擁有超百萬粉絲，曾與 YOOX、瑞吉酒店（作為其首位中國品味大使）及施華洛世奇（Swarovski）等品牌合作，並深受名人追捧。她代表著家族傳承、創意與國際化品味的完美融合。她的訂製珠寶不僅是飾物，更是關於身份、美感與文化自豪感的故事。天生麗質、擁有極具鏡頭感的面孔，要脫穎而出固然不難；但正是那些經過精心構思、罕有珍貴的飾品光芒，才讓她在夜色中依然熠熠生輝。

Chow Tai Fook is trying to Usher in in Golden Era of Chinese Luxury with Hong Kong Flagship Opening: But is it working?!

In a dazzling display of heritage, craftsmanship, and cultural confidence, Chow Tai Fook officially opened its first global flagship store on Canton Road in Hong Kong earlier this year.

Though the store opened on 18 May 2026, we finally went down for a first look at the brand which now positions the iconic Chinese jewellery house as a formidable force on the international luxury stage. 

My erstwhile publisher confided that he didn't see it as a high-end luxury brand and we don't really need to cover it. 

Boy was he wrong! 

More than just a retail launch, the opening celebrated 97 years of artistry while reaffirming gold’s enduring status as both a cultural treasure and a rock-solid investment. 

The “Home of Chow Tai Fook,” as the flagship is aptly named, transforms a prime Tsim Sha Tsui location into a sophisticated showcase of oriental elegance and contemporary vision. At its heart stands the breathtaking Ginkgo Gold Tree [above main image], making its Hong Kong debut. Weighing an impressive 40,000 grams and rising 2.1 metres tall, this masterpiece features 3,500 hand-sculpted golden leaves, each carrying wishes of fulfilment and joy. Created in 2016 by nearly 50 master craftsmen over some 60,000 hours, the tree employs traditional clay sculpting, mould casting, and delicate gold leaf application. 

Greeting guests at the entrance, it bathes the ceremony of arrival to the property in a warm, luminous glow - a living emblem of prosperity and endurance. 

At the grand opening, global brand ambassador Yang Yang led the star-studded celebration, resplendent in designs from the Dawn Collection. Inspired by Tang Dynasty four-petal flower motifs and accented with black enamel, the pieces captured a quiet strength and modern oriental sensibility. Joining him was Seulgi of K-pop sensation Red Velvet, whose surprise appearance in a matching Dawn necklace and earrings catered to a younger audience, dazzling for those influenced by the K-pop sensation. 

Hong Kong talents added further lustre: Will Or, Louise Wong, Mandy Tam, Amy Lo, and Feanna Wong each showcased different collections, from the geometric Lattice series to the fluid Hearts On Fire [not to be confused with the Western brand!] designs and the fortune-infused Rouge Collection.

Sonia Cheng, Vice Chairman of Chow Tai Fook Jewellery Group, and Kent Wong, Managing Director, presided over the celebrations alongside the ambassadors. The event also featured a Heritage Pavilion chronicling the brand’s journey since its founding in 1929. 

Not just a retail space, through partnerships with cultural institutions, the space highlights pioneering gold techniques such as chasing and filigree, underscoring the brand's commitment to preserving Chinese artisanal traditions while innovating for today’s discerning clientele.

Amid the glamour, the launch shines a spotlight on gold itself - not merely as ornamentation but as one of the most reliable stores of value in the luxury sphere. Whenever there's economic uncertainty, fluctuating currencies, and volatile equities, gold has consistently proven its worth as a hedge against inflation and a safe-haven asset. Its universal recognition, intrinsic scarcity, and historical role as money itself give it unmatched resilience.

Compared with diamonds and emeralds, gold offers distinct advantages for the discerning investor. Diamonds, though eternally popular, face increasing pressure from high-quality lab-grown alternatives that have disrupted price stability - most significantly over the past two years. The natural diamond market remains relatively opaque, with values heavily influenced by grading systems, supply controls, and shifting consumer sentiment. Resale can be challenging, and liquidity is often lower than that of bullion or fine gold jewellery.

Emeralds present even greater variability. Their value hinges on rare attributes - intense colour, clarity, and prestigious origins such as Colombia - yet they are softer and more vulnerable to damage. Treatments are common, and market demand is narrower, leading to sharper price fluctuations. While both gemstones deliver aesthetic pleasure and emotional resonance, they lack the consistent, globally benchmarked liquidity that gold enjoys.

Gold, by contrast, trades on transparent international markets with prices quoted in real time. It can be refined and repurposed with minimal loss, maintaining intrinsic worth regardless of fashion trends. In jewellery form - particularly 18K pieces from a trusted name like Chow Tai Fook - it marries wearable luxury with tangible asset value. The Ginkgo Gold Tree and signature collections exemplify this duality: owners acquire not only exquisite craftsmanship but also a portable form of wealth that has preserved purchasing power across generations.

In Asia, be it India, Thailand, Nepal, China, Indonesia, where gold carries deep cultural significance as a symbol of prosperity and a favoured vehicle for generational transfer, this investment narrative resonates particularly strongly. Chow Tai Fook’s emphasis on pure gold craftsmanship allows customers to enjoy beauty today while securing value for tomorrow.

The Canton Road flagship represents far more than a new store or valuable real estate in retail. It marks a confident step in Chow Tai Fook’s premiumisation journey, which began accelerating in 2024 - take a bow Sonia. 

By blending understated oriental interiors with curated retail experiences, the brand is redefining Chinese luxury for a global audience. With over 5,000 stores worldwide and a portfolio that includes Hearts On Fire, Enzo, and Monologue, Chow Tai Fook continues to weave stories of craftsmanship, innovation, historical and cultural pride.

As one senior executive noted during the opening, this flagship is “a powerful expression of cultural confidence” - showcasing the beauty of China to the world through jewellery. For investors, collectors, and admirers alike, the message is clear: in uncertain times, few assets gleam as reliably as gold, especially when transformed by masters of the craft.

As Chow Tai Fook enters its next chapter, it does so not look at its jewellery simply as ornamentation, fashion, accessories on trend, but an entity of enduring value, heritage and reliability in otherwise transient global fashion. 

The Art of Inheritance at Pak Loh Chiu Chow

 

As Pak Loh Chiu Chow approaches its diamond jubilee next year, the question facing its four third-generation custodians is one that haunts every great legacy: how do you honour what was built without being imprisoned by it.

There is an adage, attributed to Scottish American industrialist and philanthropist Andrew Carnegie, that a family’s wealth seldom survives three generations. He dubs its “shirtsleeves to shirtsleeves,” describing the arc from founding vigour to inherited entropy. Family Business Magazine notes the proverb is grounded in uncomfortable data: only three per cent of family businesses reach the third generation at all. For Alexa, Jonathan, Melissa and Kyle Bui – the grandchildren of Chiu Chow restaurant Pak Loh Chiu Chow’s founder Pui Sai Hung – these are not idle statistics. They are the terms of their inheritance.

Read the entire feature here at PrestigeOnline. 

Stefano Ricci in Hong Kong: A Pinnacle of Ultra-Luxury Menswear at the top of The Ritz no less!

Stefano Ricci, the Florentine luxury powerhouse founded in 1972, is a fine example of Italian craftsmanship and opulent masculinity - when you enter their premises (at The Peninsula or The Ritz for example), there's none of that hushed, whispered quiet luxury that been trending over the past few months. Forget the humble brag, hit the slots with the elevated elegance, power player symbolism, and the dazzling accessories. 

Renowned for its exquisite menswear, accessories, and lifestyle offerings, the brand has cultivated a devoted following among the world’s most discerning elites. Its presence in Hong Kong, with two flagship boutiques - one at The Peninsula Hotel (opened 2018) and another at The Ritz-Carlton, ICC (opened 2024 - underscores its strategic importance in Asia’s luxury landscape.

But what makes the brand really interesting in Asia is the brand's early adoption of China - long before it was trendy to do so. The brand’s early entry into Greater China was sincerely... in a word, pioneering. Visionary Stefano Ricci opened its first store in Shanghai in 1993 (following initial explorations around 1991), when very few Western luxury names dared venture there. This bold move positioned it ahead of many peers, capitalizing on China’s rapid economic ascent. Until 2017, China was its largest market; post-pandemic, it has rebounded strongly, with steady sales growth amid a broader luxury recovery. In 2023, the company reported record revenues of €215 million (up 46%), with continued positive momentum into 2024, including a notable 3% year-on-year increase in China despite market challenges. Hong Kong serves as a vital gateway and showcase, blending local sophistication with international appeal.

In Hong Kong, the two locations exemplify the brand’s preference for iconic, ultra-luxe venues. The Peninsula boutique in Kowloon offers timeless elegance in the hotel’s prestigious arcade, while the sky-high Ritz-Carlton outpost on the 103rd floor delivers breathtaking views alongside refined collections. These sites are chosen for their proximity to high-net-worth clientele - captains of industry, VIPs, and global tastemakers - who appreciate discretion and unparalleled service. Hong Kong’s role as a fashion and finance hub amplifies Stefano Ricci’s impact, reinforcing its status as a symbol of success and refined power in the region.

What sets Stefano Ricci apart from many a flash in the pan, is its uncompromising commitment to quality. Its casual and ready-to-wear lines are top-tier, featuring the finest Italian fabrics - often sourced from historic mills like the acquired Antico Setificio Fiorentino (est. 1786) - with meticulous hand-finishing that ensures exceptional drape, durability, and comfort. Everything is 100% Made in Italy, blending tradition with innovation.

Accessories elevate the brand to stratospheric luxury. Crocodile leather - often Nubuck, matted, or Himalayan varieties - dominates, prized for its rarity, texture, and masculine allure. Other exotic skins and precious materials feature in bags, wallets, shoes, belts, and portfolios, frequently accented with ruthenium or gold hardware. A single crocodile piece can command tens of thousands of euros, embodying exclusivity and tactile excellence.

The brand enjoys critical acclaim for its flawless execution and cultural resonance. It is hailed as the tailor to the 0.001%, favored by powerful figures for its blend of Florentine artistry and global vision. Its ultra-luxe positioning - think hand-engraved details, limited editions, and bespoke services - transcends trends, offering heirloom-quality pieces that signal quiet confidence.

Stefano Ricci’s campaigns - a personal favourite - rank among the world’s best, particularly through the SR Explorer Project. These cinematic expeditions - spanning Iceland’s glaciers, the Galápagos, Mongolia’s steppes, India’s palaces, and Patagonia - highlight the brand’s nomadic spirit. They capture the modern Stefano Ricci man: dynamic, adventurous, and culturally attuned. By shooting in remote, awe-inspiring locations with masters like Steve McCurry and National Geographic photographers, the campaigns embrace international cultures while celebrating Italian heritage - drawing parallels between Renaissance Florence and ancient civilizations. This narrative of exploration, self-discovery (“Explore the world to explore ourselves”), and conservation adds depth, making the brand’s storytelling immersive and aspirational.

In Asia, in Hong Kong and beyond, Stefano Ricci represents more than fashion; it embodies a lifestyle of excellence, vision, and timeless sophistication. Its two landmark stores continue to thrive as temples to this ethos, drawing Asia’s elite while reinforcing the brand’s pioneering legacy in China. 

Credits:

Original photography: Dino Busch
Model: Taner S at Model One
MUA: Karen Yiu and co.
Location: Island Shangri-la, Hong Kong
Full look: Stefano Ricci 

Catitude: Hobbesy strikes a pose

 

A picture I took of David Oshry's cat - Hobbesy. 

You'll be surprised how many random great shots I have in my camera roll... 

Adopt. Don't shop. 

Marriage and Divorce in Hong Kong: In Sickness and in... Wealth

Well, we know why the caged bird sings in Hong Kong - it's the legalese. Of divorce and dynasty, the divas are denied their haul. The Good Wife promised them equity, if not equality, but draconian divorce laws were written by ol' English patriarchal hands in Hong Kong - not America.  

BY P.RAMAKRISHNAN 

 The air on the 42nd floor of a Central glass tower smells of subtle, absurdly expensive tailored success—a calibrated mix of polished teak, imported leather, and heavy-duty air conditioning designed to keep the humid reality of Victoria Harbour strictly on the outside.

In a discreet corner room, Rana* sits with her hands folded neatly over a Hermès Kelly bag that costs more than a year of public housing rent. She is thirty-eight, impeccably put-together in an ivory suit, and completely done. Her story is a classic Hong Kong cliché: a husband who made his pile in private equity, works 80 hours a week, and spends his weekends maintaining a second, entirely separate life—complete with a flat in Mid-Levels and a side-dish across the border in Shenzhen.

For months, Rana suffered the cold, silent treatment of her marriage, comforted by a single, wildly delusional belief: When I finally drop the papers, I’m taking half.

She had spent her evenings marinating in Hollywood legal dramas and glossy overseas soaps where unfaithful husbands are stripped of their penthouses and aggrieved wives walk away with a lifetime supply of alimony. She imagined a swift, fabulous hammer falling in the Family Court, neatly slicing their multi-million-dollar empire right down the middle.

Instead, a veteran matrimonial lawyer—a woman who has spent three decades watching Hong Kong high society tear itself apart—slides a single, cold reality check across the table.

Within forty-five minutes, Rana's legal melodrama completely disintegrates. Under Hong Kong law, her husband’s infidelity carries zero financial leverage. His vast wealth is comfortably insulated within discretionary trusts controlled by his family patriarch. The Repulse Bay pad isn't even in his name—it belongs to a British Virgin Islands holding company. And if she wants to fight him in court, she’ll be burning millions in legal fees just to end up with a fraction of what she thought was "theirs."

Rana listens, pays the consultation fee in crisp cash, and takes the lift back down to reality. By 8:00 PM, she’s back at the dining table in Repulse Bay, picking at a salad across from a man who hasn't looked up from his Bloomberg terminal all evening.

She made her fiducial choice. She stays.

The Great Legal Delusion

"The single biggest mistake women make when they walk through my door," says one top Hong Kong family law lawyer, speaking on the strict condition of anonymity, "is assuming our courts operate like a Netflix legal thriller. They think the law gives a damn about their broken hearts. They think cheating gets penalized. They believe in the automatic 50/50 split."

The delusion is easy to buy into. Hong Kong is a dazzling, hyper-modern playground of Michelin stars and sky-high valuations, but its matrimonial law is rooted in dusty UK frameworks, executed with a ruthless, commercial coldness unique to the SAR.

Sure, under Section 11A of the Matrimonial Causes Ordinance (Cap. 179), adultery gets you the legal green light to prove "irretrievable breakdown." But when it comes to the actual cash? It means virtually nothing. Financial division is handled separately under Section 7 of the Matrimonial Proceedings and Property Ordinance (Cap. 192).

Under Cap. 192, judges don't care about your hurt feelings. They look at cold, unsentimental metrics: earning capacities, financial needs, standard of living, and contributions to the household. Moral behaviour is routinely tossed out the window unless it hits the benchmark of "gross and obvious" misconduct—which in plain English usually means one spouse gambled away the entire family fortune in Macau right before filing.

"Clients show up with thick binders of private investigator photos, WhatsApp receipts, and flight records to mainland China," the lawyer tells me. "And we have to look them in the eye and explain that the judge isn't going to hand them an extra dime because their husband has a mistress. The court is an accounting firm, not a moral crusade or vigilante for equality and justice."

The 50/50 Myth

Ever since the Court of Final Appeal’s landmark ruling in LKW v DD (2010), everyone loves to quote the "equal sharing" principle. On paper, starting at 50/50 sounds delightfully fair. But in the rarefied air of Hong Kong’s high-net-worth crowd, figuring out what actually counts as "matrimonial property" is where the real drama begins.

In this city, serious money is almost never held in a simple joint bank account. It’s buried under layers of corporate armor:

Offshore Shells & Family Trusts: Assets are buried deep inside BVI companies or discretionary trusts set up by the husband's parents before the marriage even happened.

The "Non-Matrimonial" Shield: Inheritances and pre-marriage wealth are routinely carved out of the legal pool, as long as basic needs can be met without them.

The War of Attrition: Unpacking these corporate structures takes forensic accountants, relentless motions, and serious capital. A non-working wife has to fight tooth and nail just to get interim legal funding (maintenance pendente lite).

The Cold Hard Truth:

"The 50/50 rule sounds anecdotal at a cocktail," notes one seasoned local barrister. "But the court can only split what it can actually touch. If his empire is locked inside a family trust where he's technically just a beneficiary, a wife who spent fifteen years running his household might find her '50%' applies to a shockingly small pool of cash."

The Price of Freedom

For a woman who gave up her career a decade ago to raise kids and host dinner parties [we are not including working women and professionals in this instance], the math of walking away simply doesn't add up.

In a city with the most brutal real estate market on the planet, housing is the ultimate bargaining chip. A monthly maintenance check might look generous on paper, but try using it to cover a five-bedroom rental in Southside while paying two years of High Court legal bills upfront.

Trading a life of assured luxury for an uncertain monthly stipend—and a massive drop in social standing—is a bad trade.

So, across The Peak, Mid-Levels, and the private enclaves of Kowloon Tong, a quiet, unspoken deal is struck. The wives of Hong Kong’s elite trade romance for security. They build independent social lives, take over charity boards, focus on their kids' elite school applications, and master the art of graceful detachment.

The Family Court in Wan Chai can keep its endless affidavits and messy public battles. For a certain class of Hong Kong women, the legal verdict is already in: if the cage is lined with gold, you keep your head up, keep your Kelly bag close, and stay put.

* Rana - name changed to protect the innocent. 

While Hong Kong’s matrimonial regime falls far short of the dramatic 50/50 Hollywood windfalls many clients initially expect, it remains one of the more progressive jurisdictions in Asia for the lower-earning spouse. Unlike many regional neighbours where financial awards are often minimal or heavily skewed toward the primary breadwinner, Hong Kong courts apply a structured equal-sharing starting point, give weight to non-financial contributions, and are prepared to look through aggressive offshore structures when necessary. The jurisdiction is therefore no paradise for the financially weaker party - assets can still be hard to reach and maintenance is needs-based rather than punitive - but it is materially better than the alternatives available across much of the continent. This relative advantage is precisely why the cases below matter.

SIDEBAR

Florence Tsang Chiu-wing v. Samathur Li Kin-kan (2011/2014) stands as the most explosive, high-stakes divorce battle in Hong Kong’s history. Tsang, a former solicitor, was initially awarded a record-breaking HK$1.22 billion by the High Court in 2011, a figure later reduced on appeal to HK$411 million based on her generously calculated life needs. What made the case extraordinary was its glimpse into the staggering lifestyle of property heir Samathur Li—who spent over HK$463 million on private jets, yachts, and fine wine in under three years—and the intense judicial scrutiny over aggressive family maneuvers and forged documents designed to shield the family fortune.

LKW v. DD (2010) is widely considered the single most important legal milestone in Hong Kong family law, awarding the wife 50% of the couple's matrimonial assets (valued at roughly HK$50 million). Before this case, Hong Kong courts determined awards based strictly on the financially dependent spouse's "reasonable requirements," leaving the surplus wealth almost entirely with the primary earner (usually the husband). The Court of Final Appeal’s decision completely dismantled that convention, formally establishing the 50:50 equal-sharing principle as the starting baseline for dividing marital wealth and instantly positioning Hong Kong as one of the friendliest jurisdictions in Asia for less financially dominant spouses.

Cecilia Lau v. Otto Poon Lok-to (2014) tested the boundaries of wealth preservation for the ultra-rich, resulting in Lau winning a HK$770 million payout—exactly half of a HK$1.5 billion discretionary family trust. The case gained massive public traction not only because Poon was a prominent tycoon (and spouse of Hong Kong's former Secretary for Justice, Teresa Cheng), but because of its groundbreaking legal impact on offshore structures. The Court of Final Appeal ruled that discretionary family trusts cannot be used as impenetrable "safe havens" to hide assets during a divorce if one spouse retains effective control over the funds, closing a major legal loophole long exploited by the city’s elite.

Western Expat Case: SPH v SA (2014)

In this landmark Court of Final Appeal ruling involving a wealthy German expat couple residing in Hong Kong, the court fundamentally reshaped how international prenuptial agreements are treated in the territory. After the marriage broke down, the husband sought to stay the Hong Kong proceedings and force the divorce into German courts, pointing to a German prenuptial and post-separation agreement. The wife fought to litigate in Hong Kong, where financial awards for weaker-earning spouses are substantially higher. The Court of Final Appeal ultimately ruled in her favor, adopting the UK’s landmark Radmacher principle into Hong Kong law. The judgment established that while foreign prenups carry "decisive weight" if entered into freely and fairly, Hong Kong courts retain ultimate discretion and will override them if enforcing the agreement leaves a spouse unable to meet their long-term financial needs—cementing Hong Kong’s reputation as a preferred jurisdiction for financially weaker expat spouses.

The German wife won the right to litigate the divorce in Hong Kong rather than in Germany. While the German husband had sought to enforce a prenuptial agreement limiting her financial claims, the Hong Kong Court of Final Appeal ruled that the Hong Kong courts retained full jurisdiction over the asset division. This outcome secured her a significantly larger overall financial settlement tailored to her ongoing living standard and financial needs, overriding the strict financial caps the husband had attempted to impose through the German agreement.

Indian Expat Case: NSV v PU (2017)

This Family Court case highlights the legal friction between traditional Indian matrimonial laws and Hong Kong’s jurisdiction rules for long-term residents. The case involved a diamond trader of Indian heritage who had lived in Hong Kong for over 20 years and his wife, who joined him in Hong Kong following an arranged Hindu marriage in India. After living together in Hong Kong for only a short period, the wife returned to India and filed a petition for "Restitution of Conjugal Rights" in Chennai, arguing that a Hindu marriage is a sacred union and that Hong Kong was an improper forum. Meanwhile, the husband filed for divorce in Hong Kong on grounds of unreasonable behavior. The Hong Kong Family Court ruled that because the husband’s primary life, business, and domicile were firmly rooted in Hong Kong, the territory had full jurisdiction to proceed with the divorce—underscoring that long-term expat status in Hong Kong supersedes parallel legal actions in a couple's home country.

The Indian husband won a complete procedural victory in Hong Kong. The wife, who had sought to block the divorce and force the proceedings back to India to pursue a "Restitution of Conjugal Rights," lost her application to stay the case. The court formally granted the husband the right to proceed with dissolving the marriage in Hong Kong as a long-term resident, insulating him from the prolonged, multi-year marital litigation his wife was attempting to pursue in the Indian courts.

Eurasian actor, model, DJ Tom Price answers the Robb Report Questionnaire

Throwback Thursday: Interview with Hong Kong actor/model/DJ/Graffiti Artist Tom Price. Reposted.  

All original photography by Natalie Dunn, other images provided by Tom.  

To kickstart the first fashion shoot for Robb Report Hong Kong, we knocked on the doors of… well, it’s the digital age, we DM’d the Instagram of multi-hyphenate Tom Price. Prolific touring DJ, Eurasian actor, and most importantly, dog-dad to Roxy, a gorgeous border collie.

Born and brought up in Hong Kong, of English and Chinese origin, the trilingual (Mandarin, Cantonese and English) Price fits into any mould you can carve him in. We needed someone who could balance a trapeze act, swing between the East and West (a novel idea natch) with equal ease, pull off a Tom Ford suit (which he’s modelled for in the past) and a surfboard with a studied nonchalance. We are all about contradictions like that.

Despite the fame and following (see how young girls titter in his presence), he’s got his priorities set straight. “Family, work, dog!” As its often been said before, the Price is right.

His film and television appearances are aplenty (feel free to Imdb), and many in the region will instantly recognise the chiseled jawline of the face that’s launched several ad campaigns and worked with many brands and designers of note. For the column, it was easy to grab him for this lengthy questionnaire – man was trapped in a gilded cage, i.e. stuck in quarantine hotel till the authorities deemed him eligible for freedom. “Staring at the sea and sunset while trapped inside – send me the q’s.” .

Ok then.

First thing you do in the morning?
Get some sunlight in my eyes! 

What in your wardrobe do you wear most often?
Probably my white low top Hermès sneakers I bought last year. Comfortable and great with any outfit. 

What do you most crave at the end of the day?
A good night's sleep.

What song is currently in your head?
I posted an insta reel recently using Mary J Blige - All Night Long... now It's stuck in my head. 

Tom Price with his constant companion Roxy

How do you find calm?
I find painting, surfing or hiking with my dog the best to unwind and just chill. Being out in nature is almost like a type of meditation I find. 

What’s the most recent thing you’ve added to your collection?
I collect vinyl records and have recently added some '90s hip hop gems as well as some fresh underground house and electro. I've recently added some fresh underground house and UKG too.

Where do you buy your clothes?
Everywhere and anywhere. 

What’s the most impressive dish you cook?
I make a killer stir fry... I think. 

Who is your dealer, and what do they source for you?
Bandcamp. Music is my drug.  

 

What is your exercise routine, and how often do you do it?
I try to find time for exercise daily. Gym, basketball, hiking and surfing are the most common. However, I'm a fan of all sports and will play anything. 

If you could learn a new skill, what would it be?
Another language would be fantastic. 

How much do you trust your gut instinct?
85%

 

Do you have a dream car?
Ferrari F50! Only 350 were ever made and I love the retro supercar vibe. 

Are you wearing a watch? How many do you own?
At the moment I own around 5 or 6 watches. 

Tell us about your favourite watch?
A gold and silver vintage Longines I bought from my buddy in Shanghai. Stylish without being too flashy. 

 

If you could stick at one age, what would it be, and why?
Probably the age I'm at now! 36. A mix of athletic ability and life experience. A few years less and I'm too young, a few years more and I won't be able to carve it up on the basketball court like I used to!

How would others describe your look?
Pretty average. 

If you could be anywhere in the world right now, where would you be?
Hawaii would be nice. Waves during the day and stars at night. What more could you ask for?

What is your most treasured possession?
A pair of Technics SL1210 turntables a DJ friend gave to me before he passed away. 

What are you afraid of?
Not a huge fan of jellyfish.  

What is your vice?
Hong Kong style iced milk tea. Love that. 

Favorite restaurants in Hong Kong?
Probably Carbone. One of the best Italian restaurants here with a good vibe. For something more local, I would say Super Duper Noodles in Sai Wan Ho. Lives up to the name!

 

Wine or whiskey?
Whiskey. Scotch. Some personal favourites include Kilchoman and Lagavulin. Special mention goes to the Talisker 18-year single malt. Good for any occasion. 

Dream date on a yacht – where you sailing?
Hong Kong has hundreds of islands with all sorts of beaches, bays and coves that are easily accessible. It really is the perfect place for a yacht. There are a few prime spots that would definitely be date worthy. Bring a long a few bottles of champagne, add a clear night sky with a meteor shower and you’re set.

Last piece of advice you gave?
Only chickens accomplish something by sitting on their asses!

Prefer to drive or be driven?
Drive.

What is the car you are most attached to?
In my early twenties, I drove a BMW E30 convertible. Many fond memories. I'm a fan of vintage cars and this one is a bit of a classic.

Last Netflix binge?
Probably Squid Game 

As an actor what roles appeal to you?
I think every actor, including myself, would love roles that are well written and unique. Anything interesting really.

Were you a stage kid? Theatre prodigy?
I did a few school plays growing up in Hong Kong. I remember playing Sweeney Todd once which was fun. But it wasn't until my university years that I took acting seriously and decided to dedicate my life to it.

What’s your favourite neighbourhood in your favourite city?
Shek O Village, Hong Kong 

Bowie or Dylan?
Dylan is a Bonafide genius. But I'll have to go Bowie on this one.

See Robb Report Hong Kong's Autumn/Winter 2022 Fashion shoot at RobbReport.hk

TBT: Throwback Tuesday: Cara G: Another Chat

In partnership with Pandora, a photoshoot and interview with Eurasian super-duper model and mama Cara G. 

Out in the magazine. 
 

Magazine cover stars with their pets: Favourite feature to collate

 

The greatness of a nation can be judged by the way its animals are treated,” said Gandhi. We concur. And now we’re measuring the greatness of our cover stars by peeking on their personal Instagram accounts and seeing how they handle their pets.

As expected, our favourite celebrities treat their beloved critters with just the right amount of love (immeasurable) and, well, truth be told, some major spoils. Take Paris Hilton (Prestige, June 2006 leading lady), she spent US$325,000 on a luxury doghouse for her furry four-legged friend. But we’re not looking for conspicuous consumption; for us, it’s endless cuddles that really matter.

Here’s a quick look at those lucky cats and dogs who constantly have stars in their eyes.

Full feature up at PrestigeOnline. 

The Shot: The Outtake: Behind the scenes of a Jewellery shoot

Working with Lenka and Leo! 

A jewellery shoot in studio at The Hive - the Kennedy Town location. 

Confessions of a Social Whor... Busy Bee: Throwback Thursday: Rewind to 2017

Find out what star-studded parties and VIP get-togethers you missed in the Fragrant Harbour over the last seven days, and get a sneak peek of what we've got coming up.

I used to write this column - and then, we had to stop as images were never ready on time or I wasn't. 

By P.Ramakrishnan on June 13, 2017 , Prestige Events

Last week, we popped along to the PI’A pop-up hosted by Priscilla I’Anson, the popular gal-about-town and stylist, whose immensely wearable and trendy designs are worn by similarly popular gals-about-town. The newly married missus (who tied the knot with photographer Boris Burgess) was working up a sweat as gaggles of glam types and fashionistas all appeared to support her, including: Alexa See, Divia Harileila, Marika Nanni, Neelam Daswani, Susanna Soo and others of that fashionable ilk. They weren’t there just for the free Ruinart champers that poured – many were seen trying and buying in the makeshift store. The Pop-up ends on July 31.

Thursday last week was a hectic mess of uber confusion and cab chaos as we event hopscotched our day away; starting out with the Joyce Marni market that was a colourful affair on the “dark side” – at Harbour City in Tsim Sha Tsui, the mall where we have got lost with alarming and regular alacrity. Then we got right back to one of our favourite Italian restaurants, Carbone, for a chat with Louis Vuitton folks. Sure, we love its latest collection and the young, bold new direction the brand seems to be heading towards, but all we were focused on were the dessert trays, indulgent pastas and the whopping meatballs. And we had some great industry gossip that cannot go beyond the ears at our table and into this column.

Getting across to Hung Hom for the Calvin Klein Jeans/Underwear/Performance (the departments under the aegis of CK) proved to be a disastrous affair. Crawling tunnel traffic had us stuck between Wan Chai and hell; by the time we got to Tak Fung Street, it was well past the invited hours. No sighting of hot models in their Calvins though, suspended, headless mannequins were covered in the latest fare. Sign us up for a box of the new line of underwear from the brand; the latest collection is, as expected, stylish and sexy.

We beat the heat and traffic as we MTR-ed back to another saucy sighting; as posted in earlier column here, we got our first look and a second glance at Landmark’s third floor where 12 beauty and wellness centres showcased their finest.

Friday night we were whisked away to another world by The Macallan whisky. Quite a production it was, as the halls of the Hong Kong Convention & Exhibition Centre were a labyrinth of multiple models wearing “dark and dandy” attire (as per invite dress code), striking motionless poses in front of square walls and mirrors. Trays of cocktails and fine whisky snaked around the event. The halls were bathed in red light, which made selfie-taking a self-defeating exercise. The Steven Klein photographic images that were displayed were stunning.

The weekend we dedicated to Rosemary Vandenbroucke – wouldn’t you?! – who presented the “sober social” Daybreaker once again. Dancing, exercising, yoga-ing were the order of the day. Being in her best shape ever – physically andmentally – clearly this combination is working well for this Hong Kong model icon.

The week ahead is more like the “weak” ahead … there isn’t much happening. One of our favourite brands Shanghai Tang presents its autumn/winter 2017 collection preview at Central Ferry Pier No. 8 (Hong Kong Maritime Museum). We are expecting some serious blingage from De Beers, which has a cocktail and exhibition on Thursday at Landmark Atrium, as it brings us “The Diamond’s Journey from Rough to Romance”.

Until next week …

My Society Column: Events, parties, premieres and launches.

Qeelin: A 2026 Celebration of Dong Heritage: It is exquisite - why hasn't the brand gone global?

Since its founding in 2004 by creative director Dennis Chan, Qeelin has carved a distinctive niche in the oversubscribed fine jewellery market, which is studded with legacy Maisons, artistic and artisanal gems (- yes that was very much intended), an alarming number of socialites with a hobby (men and women) and true creatives lost in the melee. 

The Hong Kong-based brand (acquired by Kering in 2013) draws deeply from Chinese cultural symbolism while delivering playful, contemporary designs suited for everyday wear. Its name evokes the mythical Qilin, a symbol of love and auspiciousness, and it has spent two decades reinterpreting Eastern traditions through modern lenses. 

The brand gained early international attention when Hong Kong actress Maggie Cheung wore a Wulu earring at the 2004 Cannes Film Festival, propelling the signature gourd-inspired collection into the spotlight and the red carpet. Qeelin has enjoyed strong popularity in Greater China and among Asian consumers, bolstered by Kering’s support and cultural resonance. It remains a go-to for modern interpretations of heritage that appeal especially to younger Chinese buyers. 

For the average Western consumer, tourist or window-shopper at, say the IFC location in Central Hong Kong, its Chinois chic storefront is eye-catching... without going too costume-y. And there isn't a preponderance of jade that makes even the youngest of buyers seem... suddenly of a certain vintage. Qeelin's collections have just the right amount of symbolism without being too obvious (well, depending on the collection) and a certain joyfulness and playfulness that makes you stop for a second look. The price tag, however, can be a hurdle for young consumers with a limited ceiling on their creditcard. But then, maybe they aren't the target? 

Western stars spotted in Qeelin include Katy Perry and Kate Winslet. On the Asian side, Maggie Cheung remains a fan favourite, having worn the brand on more than one occasion, while current ambassadors and wearers include Chinese actress Liu Shi Shi, Yoona Lim and Wang Chuqin, former global brand ambassador Lay Zhang, and K-pop talents like Somi and Ailee. Other notable Asian names include Ase Wang and more who've embraced their Asian and cultural roots without, stapling a flag on their forehead.  

Truth be reluctantly told, despite its quality and cultural depth, Qeelin has not achieved broad pan-global mainstream recognition on the scale of Western heritage houses. Its appeal stays deeply rooted in Chinese mythology and storytelling, which resonates powerfully in Asia - particularly mainland China, where it operates dozens of stores - but can feel more niche elsewhere. Intense competition in the luxury jewellery sector, a historical focus on Chinese and traveling Chinese clientele, and the challenge of translating specific Eastern motifs universally have slowed wider penetration, though Kering-backed expansion (including a Place Vendôme boutique and plans for the US, UK, and Australia) continues. 

When you look at Western counterparts, heritage jewellery houses from Europe have been around for a century or two - compared to the baby steps this brand has taken. For example, Garrard (England, 1735) is the oldest crown jeweler that comes to mind, and a firm favourite of the British royal family. It's an easier sell when you state HRH wears the brand often. And Megan Markle doesn't . 

Chaumet (France, 1780) has strong Napoleonic and royal ties and is constantly reinventing itself to be relevant today among the younger, often Hollywood-en glitterati. Cartier (1847), Boucheron (1858), or Bulgari (1884) are prestigious, ever-evolving, ever-relevant and their painstakingly created creations and accessories are a collector's item. 

For a baby panda brand like Qeelin, it is much harder to make ripples especially when UHNW young- gen in and around Asia, who would rather invest deeply in a brand that's as recognisable in Boston as it is in Beijing. 

Take someone like Becca Bloom, notorious high jewellery shopper of Asian descent, living a vainglorious life in sunny California. While espousing the facile joys of conspicuous consumerism, the capitalist icon leans in on her Asian heritage often enough; she talks about the year of the snake, her lucky horse year, mentions what's considered harbinger of good fortune in Asian culture. However, she's not dropping hardcore cash at Qeelin, but mostly at Van Cleef and Arpels and Bulgari. She's no fool (bear with me), as she knows her VCA bling can be seen as investment, not just decorative braggadocious antics for social media clout. If things ever go to pot, there's some value in auctioning off vintage Van Cleef - it often makes news and record sales. Now, the same cannot be said about Qeelin....  

Having covered the jewellery market since.. Jesus was a boy, it is a crowded field of Asian jewellers, all vying for attention, audience, editorial coverage and consumers. I've been writing about and often admiring the words of many Asian jewellers. To list them, let me careful here, as I go alphabetically; Anna Hu, Cindy Chao, Michelle Ong, Wallace Chan, Wendy Yue...  This doesn't even include the likes of Sarah Zhuang, Bao Bao Wan and others who have their eponymous accessories brands at breathtaking prices that sell well. Fun fact, traditional Asian families burdened with generational wealth have their own personal jewellers that they rely on. They are non-branded houses, ateliers only they know of - and refuse to share with the hoi polloi. 

Somewhere along these circuitous, serpentine roads flanked by vintage jewellery houses, you'll find  sophomoric Qeelin - celebrating its 22nd year as its finally old enough to drink and vote. When doing layout with other brands, my some of the legacy houses were offended to be on the same page as this young upstart, but I've always liked the style and silhouette of what the house offers.  

Pieces often reference myths, nature, and philosophy but remain light, kinetic, and wearable daily rather than solely for special occasions. The press releases often tout 'exceptional craftsmanship' [well, they all do tbh!], often blending rose and white gold, intricate pavé, moving elements, and high-quality gemstones, for their narrative-driven jewellery that feels both talismanic and yet contemporary. This balance of reverence for tradition and playful innovation sets it apart. But like a loan panda masticating bamboo in a crowded jungle, it's hard to pinpoint the brand's mega moment, its zenith, but its certainly climbing steadily and building brick by golden brick. Just look at its latest 2026 collection. 

Building on last year’s Dong ethnic traditions exploration, incorporating drum towers, phoenixes, golden spiders, and cosmic “Chi” life force into refined designs, there are several standout pieces in the treasure trove the brand is offering. Gemstones narrate stories amid nature, myth, heritage and as some stand-out pieces include; 

The Spider Flower: White gold with Zambian emeralds (including a 3.27-carat oval center stone) and pavé diamonds forming a spider’s web. Earrings, rings, and bracelets reinterpret Dong brocade geometry. It symbolises abundance, fertility, and cosmic order via the golden spider legend paired with peonies. The necklace looks like a statement piece for special occasions, but the earrings can dazzle all day. 

Queen (Phoenix Series): Dynamic rose gold phoenixes with hinged, kinetic wings set with gradient sapphires and diamonds that sway with movement. The indigo Azure Silhouette uses marquise sapphires and a 3.21-carat pear aquamarine for sky-meets-water serenity. The crimson Empress version features a dramatic 3.06-carat Mozambique “pigeon’s blood” ruby - fiery, regal, and rebirth-themed. These rank among the collection’s most spectacular, blending legend with wearable motion.

 

Ling Dong: The necklace is fine, but its the pair of earrings that look stunning. Paired with dangling pear-shaped emeralds or rubies, it translates Dong “Grand Songs” into melodic, interactive jewellery.

Wulu Shanshui and Celestial Light Above the Clouds: Three-dimensional Dong village scenes (drum tower, swallows, golden fish) in mixed rose/white gold. The signature necklace centers on a 2.14-carat pear ruby (rising sun) with baguette diamonds and auspicious clouds - highly collectible for its narrative depth and craftsmanship.

Wulu Fairy

Wulu Fairy and the Wulu Link: Evolutions of the iconic Wulu motif - cascading spirals, tilted dynamic forms with 2+ carat center stones (ruby/emerald), pearl embraces, and fluid diamond settings. These exemplify Qeelin’s mastery of its signature symbol. 

The Wulu Link

Qeelin’s 2026 offering deepens its “Miracle Garden” with emotional richness, proving that after more than two decades, the brand continues to evolve Chinese cultural narratives into luminous, modern treasures, just waiting to be discovered by the world at large.  

For those seeking jewellery with Asian soul, story, and sparkle, this collection invites attention, dedication and an outing on a special night. 

The Society column: Rama writes. Well, wrote.

So this littl' column of mine - every month in Prestige Hong Kong, kept me up all night! 

October of 2017, I attended 37 events.  

After I stopped the column, I stopped going to anything. For the saucy minx that stated its because I stopped getting invited - also true to a certain extent - its also because when you don't have a column to write, a quote to get, something to describe, its just a lot of people standing around waiting to be photographed. 

Lord I do miss the SWAG and freebies though... 

And the occasional celeb sighting. Now I don't know who's who or who's whom. 

Some of the best years in media were at this magazine, esp working with Christina Ko, Jing Zhang and Stephanie Ip. 

Then there are editors I'd like to forget.

And blissfully have.