Talk about ol' school; an entire menswear fashion shoot with one of these cameras. A leap of faith, not seeing digital previews on laptops had me hyperventilating, but "trust the process" was the mantra of the day. The shoot for the magazine came out phenomenally. That's the thing about working with phenomenal photographers, they deliver. And how.
James Gabbard - best in the biz.
The images had this raw texture and tone that these digital cameras imitate, but the soul is missing.
Some of the best shots came out of this shoot that still shine in my portfolio. (Only produced the shoot and brought the team together and concept of shooting in an art gallery).
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